Sammelwerk
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Hearing the motet: essays on the motet of the Middle Ages and Renaissance Pesce, Dolores [Hrsg.]. |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/615912
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Pesce, Dolores |
Inhalt
| Introduction |
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| Conference introductory remarks |
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| The polyphonic progeny of an "Et gaudebit": assessing family relations in the thirteenth-century motet |
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| Beyond glossing: the old made new in "Mout me fu grief/Robin m'aime/Portare" |
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| Which Vitry? The witness of the Trinity Motet from the "Roman de Fauvel" |
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| Polyphony of texts and music in the fourteenth-century motet: "Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur" and its "quotations" |
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| Du Fay and the cultures of Renaissance Florence |
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| For whom the bell tolls: reading and hearing Busnoys's "Anthoni usque limina" |
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| Love and death in the fifteenth-century motet: a reading of Busnoys's "Anima mea liquefacta est/Stirps Jesse" |
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| Obrecht as exegete: reading "Factor orbis" as a Christian sermon |
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| Conflicting levels of meaning and understanding in Josquin's "O admirabile commercium" motet cycle |
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| Josquin, Good King René, and "O bone et dulcissime Jesu" |
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| Miracles, motivicity, and mannerism: Adrian Willaert's "Videns Dominus flentes sorores Lazari" and some aspects of motet composition in the 1520s |
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| Lasso as historicist: the cantus-firmus motets |
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| Tonal compass in the motets of Orlando di Lasso |
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| Palestrina as reader: motets from the Song of Songs |
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| On William Byrd's "Emendemus in melius" |
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| Byrd, the Catholics, and the motet: the hearing reopened |