Sammelwerk
|
Anglo-Saxon culture and the modern imagination Clark, David • Perkins, Nicholas [Hrsg.]. |
| In Reihe: | Medievalism / 1 |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/1504088
Alternative Formate:
MARC21 | BibTeX
 |
[ |
Autoren suchen: Clark, David • Perkins, Nicholas |
Inhalt
| Introduction |
|
| From Heorot to Hollywood: Beowulf in its Third Millennium |
|
| Priming the Poets: the Making of Henry Sweet's Anglo-Saxon Reader |
|
| Owed to Both Sides: W.H. Auden's Double Debt to the Literature of the North |
|
| Writing for man Anglo-Saxon Audience in the Twentieth Century: J.R.R. Tolkien's Old English Chronicles |
|
| 'Wounded men and wounded tress': David jones and the Anglo-SAxon Culture Tangle |
|
| Basil Bunting, Briggflatts, Lindisfarne, and Anglo-Saxon Interlace |
|
| Booo: Seeing Beowulf in Pictures and Print |
|
| Window in the Wall: Looking for Grand Opera in John Gardner's Grendel |
|
| Re-placing Masculinity: The DC Comics Beowuld Series and its Context, 1975-6 |
|
| P.D. James Reads Beowulf |
|
| Ban Welondes: Wayland Smith in Popular Culture |
|
| 'Overlord ot the M5': The Superlative Structure of Sovereignty in Geoffrey Hill's Mercian Hymns |
|
| The Absent Anglo-Saxon Past in Ted Hughes's Elmet |
|
| Resurrecting Saxon Things: Peter Reading, 'species decline', and Old English Poetry |