Sammelwerk
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The four modes of seeing: approaches to medieval imagery in honor of Madeline Harrison Caviness Lane, Evelyn Staudinger • Pastan, Elizabeth Carson • Shortell, Ellen M. [Hrsg.]. |
Deskriptoren: | |
Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/1317585
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Lane, Evelyn Staudinger • Pastan, Elizabeth Carson • Shortell, Ellen M. |
Inhalt
![]() | The Glazing of Siena Cathedral's fenestra rotunda magna: Preliminary Observations from a Production Standpoint |
![]() | Holding Hands in the Virgin Chapel at Beauvais Cathedral |
![]() | The Asseburg-Hedwig Glass Re-emerges |
![]() | Material Meaning: Stained Glass and the Questions of Authenticity, Reception, Workshop Practice, and Aesthetics |
![]() | Prior Wibert's Fountain Houses: Service and Symbolism at Christ Church, Canterbury |
![]() | Sir William Home and His 'Scowred' Window at Snailwell, Cambridgeshire |
![]() | Learning from Muskau: The Throne of Solomon Window from the Carmelite Church at Boppard and its Donation by Jakob von Sierck, Archbishop of Trier (1439-56) |
![]() | Images Lost/Texts Found: The Original Glazing Program at Notre-Dame of Noyon |
![]() | Stained Glass and Architecture at Saint-Remi of Reims and at Braine: Distinct or Complementary Disciplines? |
![]() | The Integrated Cathedral: Thoughts on 'Holism' and Gothic Architecture |
![]() | The Sacred Topography of Chartres Cathedral*. The Reliquary Chasse of the Virgin in the Liturgical Choir and Stained-Glass Decoration |
![]() | Frames of Vision: Architecture and Stained Glass at Clermont Cathedral |
![]() | 'The Widows' Money' and Artistic Integration in the Axial Chapel at Saint-Quentin |
![]() | The Center Portal on the West Facade at Reims: Axes of Meaning |
![]() | Seeing and Understanding Narrative and Thematic Method in the Stained Glass of the Choir of Konigsfelden ca. 1330-40 |
![]() | Modes of Seeing Margaret of Antioch at Fornovo di Taro |
![]() | Archbishops Named and Unnamed in the Stained Glass of Reims |
![]() | Subjection and Reception in Claude of France's Book of First Prayers |
![]() | 'Why Can't a Woman Be More Like a Man?' Transforming and Transcending Gender in the Lives of Female Saints |
![]() | Women in English Royal Genealogies of the Late Thirteenth and Early Fourteenth Centuries |
![]() | Mirror, Mirror on the Wall: Reflections on the Performance of Authority in Eike von Repgow's Sachsenspiegel |
![]() | St Hedwig's Personal Ivory Madonna: Women's Agency and the Powers of Possessing Portable Figures |
![]() | Boniface VIII and his Self-Representation: Images and Gestures |
![]() | Paris and Paradise: The View from Saint-Denis |
![]() | Apparitional Aesthetics: Viollet-le-Duc and Villard de Honnecourt |
![]() | Grosvenor Thomas and the Making of the American Market for Medieval Stained Glas |
![]() | Medieval Stained Glass and Alexandre Lenoir |
![]() | Pathos and Politics: Nicholas Love's Mirror and Mel Gibson's The Passion of the Christ |
![]() | Realpolitik and Artistic Patronage in Twelfth- and Thirteenth century Troyes |
![]() | Rhetoric and Reform: The St Thomas Becket Window of Sens Cathedral |
![]() | Madeline Harrison Caviness: Selected Bibliography |