Sammelwerk
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Cantus Planus: papers read at the 16th meeting ; Vienna, Austria, 2011 Klugseder, Robert [Hrsg.]. |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/1958250
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Klugseder, Robert |
Inhalt
| Newly discovered Antiphoners in northern Portugal |
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| The Anonymus Vaticanus and the Paleofrankish Script |
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| Tone-series in ecclesiastical chant |
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| The Dominican Antiphoner from the Badija Franciscan Monastery near Korcula: The Question of Provenance |
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| Beobachtungen zur Seckauer Prozessionspraxis anhand des Liber Ordinarius A-Gu 756 von 1345 - Cum vero processionem facimus quasi hostibus armati obviamus |
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| Interrelations between theory and practice. Influence of theorists' pattera-aoti phons on initial formulas of some introils and graduals |
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| Famula Dei - textliche und musikalische Besonderheiten in den Meßproprien heiliger Frauen in adiastematischen Handschriften aus St, Gallen und Einsiedeln |
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| A (Brief) Introduction to Post-tridentine Pontifical Chants |
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| Examples of Liturgical Polyphony from Dalmatia |
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| The Web of Sources for Planctus ante nescia |
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| Processing from Lateran to Hierusalem and Back: A Unique Ritual for the Cross Relic |
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| Mensura as a technical term in chant theory |
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| Beyond diastematy: specific and semi Ionic indications in the gradual of Saint-Yrieix (Paris, Bibliothèque Nationale de France, Latin 903, XIth century) |
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| Traditionalism and New Influences in an 18th Century Gradual of the Zagreb Cathedral with a Special Focus on the Allelluiu Repertory |
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| Die coniunctae des Corpus Hollandrinum in den mitteleuropäischen Choralhandschriften |
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| The question of plainchant notation in French Post-Tridentine sources Towards a specific semiology |
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| A Newly Discovered Source of Ordinary Chants in Cantus Planus and Lantus Fractus: A Preliminary Report |
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| Die Evangeliumsantiphonen der Donnerstage in der Fastenzeit |
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| Die liturgischen Handschriften aus St. Lambrecht (Steiermark) |
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| A Portuguese plainchant treatise |
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| Medieval Music through the Technological Looking-Glass |
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| Corpvs monodicum - Die einstimmige Musik des lateinischen Mittelalters |
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| "Venite et videte*: First Results in the Optical Neume Recognition Project |
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| Cantos Planus Regensburg - Web Archive for Gregorian Chant |
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| The Sequence Sancti Spiritus in the Nidaros Tradition |
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| Assonance, Variation, Repetition: Editing Prosulas to the Gloria Chant |
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| The Tridentinum as a Watershed in the Evolution of Mass cycles |
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| Medieval musical manuscripts and fragments in the Austrian National Library (ÖNB, Vienna |
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| Renewal, Revival, Rejuvenation: a New Vision for the Cantos Database |
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| Compositions of Credo: Influences of Latin settings on the respective Byzantine ones of Cretan origin (16th-17th cent.) |
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| Elastic Melodies: Variants in Responsory Verses |
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| Cultural Interactions in the Transmission of Office Hymns in the Southern Low Countries |
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| Liturgical-musical sources in the votive processions of the bishop of Padua, Pietro Barozzi (1443-1507) |
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| Toward a Methodology for Analyzing the Old Hispanic Responsories |
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| Habitable surface, habitable space: Graphic contour and melodic constraints for Buddhist chant in early Japan |
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| Vind. Suppl. gr. 121: ein Fragment eines Tetraevangeliars mit ekphonetischer Notation in der Österreichischen Nationalbibliothek |
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| Das von Johannes Winlerburger gedruckte Antiphonar aus dem Jahr 1519: ein Antiphonale Pataviense ? |
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| Digital Editing of chant - took in progress |
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| "Fecit" quattuor historie? |
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| Antiphonal Psalmody in Western Monasticism from the Fourth to the Seventh Century |
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| Traditio Iohannis Hollandrini - Tonare |
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| Non Pitch-Specific Notation in Practice and Transcription: Beneventan Chant in campo apeno and in voce |
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| Musical references in Serbian hagiography (titija) and liturgical poetry |
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| Zur Vorgeschichte des lateinischen Achttonarten-Systems |
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| A Pair of Manuscripts transmitting the Triodion and Pentekostarion in the Russian Studite Tradition - Identifying the prototypes |
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| Gesang an der Peripherie - Die Choralhandschriften in der Bibliothek des Augustiner-Chorherrenstiftes Vorau |
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| Un foyer d'avant-garde dans l'introduction du chant grégorien en Castille: La cathédrale de Palencia (1034-1080) |
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| Political changes and mnsic writing styles in 11th century Bologna |
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| The Application of the CANTUS Analysis Tool to the Neumed Breviary VI E 4c from St George's Convent, Prague |
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| Ruotlib's notated missal and its historical background |
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| Notation als Spiegel der Veränderungen in der "minquam reformata" Tradition am Beispiel der mittelalterlichen Antiphonarien aus der Kartause Zice (Seiz/Seitz). |
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| Das Sequenzenrepertoire der österreichischen Benediktiner |
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| Musical liturgkal fragments in the Historical Municipal Archive of Casperia (Latium - Italy) |
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| Inedite fonti italiane della Passione in notazione ritmico-proporzionale |
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| The Hymnic Corpus in the Manuscript Plainsong Choirbook at Segovia Cathedral - Tradition, Re-elaboration and New Composition |
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| The conception of the chant of the 'Other': evidence from medieval literary sources |
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| Pitch, Rhythm and Text-Setting in Palaeofrankish Notation: The Case of London, British Library, Harley MS 3019 |
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| Liturgical contradictions and political consistency in the liturgico-musical tradition of St. Mark's, Venice |
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| Offertoriale Arnesti: A Forthcoming Edition of Plainchant Offertories with Verses from Bohemian Sources |
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| The New Web site www.chantdiscography.com: A Demonstration |
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| Untersuchungen zur lateinischen Tradition des byzantinischen Akathistos Hymnus |
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| Die musikalisch-liturgischen Quellen des Hochmittelalters aus dem österreichischen Benediktinerstift Admont |