Sammelwerk
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| Sprache: | Englisch |
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http://opac.regesta-imperii.de/id/1196327
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Autoren suchen: Busby, Keith • Kleinhenz, Christopher |
Inhalt
| Book-burnig at Don Quixote's. Thoughts on the educating force of courtly romance |
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| Music and the origins of courtliness |
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| The Crusade as Context: The Manuscripts of Athis et Prophilias |
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| Context and reception: a crusading collection for Charles IV of France |
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| The anti-romances of Andrea da Barberino |
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| From Trojan to Briton: Brutus' s masculinity and lineage in Geoffrey of Monmouth's Historia regum Britanniae |
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| Le Roman des fils du roi Constant: vertigier en "fin amant" |
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| Aduitery and Death in Shota Rustaveli's The Man in the Panther Skin |
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| Courtly Revision of Wace's Roman de Brut in British Library Egerton MS 3028 |
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| Burgundian devotional manuscripts: Philip the Good |
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| Mirror Characters |
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| MS Sion, Supersaxo 97bis: a pro-feminine reading of Alain Chartier |
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| Baldesar Castiglione and The Book of the Courtier: Being a Musician, the Courtier May Achieve His Highest Goal: The Balance and Harmony of Spirit |
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| A good tale, and reading it well: Truth, fiction and a future in critical perspective on Gottfried's Tristan |
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| Dire l'amour: etude comparee des modes du discours dans le De Amore d'Andre le Chapelain, le Collier de la Colombe et le Kama Sutra |
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| The representation of illness in the Hispanic chivalric romance |
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| The scope and importance of the color palettes used by the "Conte di Graal" miniaturists |
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| Le Lai du Laustic: espace poetique ou forme et fond fusionnent |
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| Giving the Devil His Due: Justice and Equity in L 'Advocacie Nostre Dame |
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| Desire, Subjectivity, and Subjection in Bernart de Ventadorn's "Can vei la lauzeta mover" |
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| "Tel cuide vengier sa honte qui l'accroist": Wrath in Jean d'Arras's Roman de Melusine |
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| Challenging the Court: Kings and Queens in Les miracles de Nostre Dame par personnages |
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| Love is a Monologue: The Lack of Courtship in Old French Courtly Narrative |
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| The Midier mediatrix in the Deus Amanz of Marie de France |
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| The End of the "Courtly Book" in Wolfram's Titurel |
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| Chaucer, Astronomy, and Astrology: A Courtly Connection |
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| Inscribing the Breath of a Speaking Voice: Vox Sponsae in St. Bemard's Sermons on the Canticies and in Chretien's Erec et Enide |
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| From Court to Empire: The Peninsular Trajectory of Olivier de Castille |
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| Christmas Gifts in Medieval Occitania: Matfre Ermengaud's Letter to His Sister |
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| Reading Harley 978: Marie de France in Context |
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| Monstruous Children of Lanval: The Cantare of Ponzela Gaia |
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| Compilers and Users of Medieval German Song Collections (1250-1500) |
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| The Promise of Laughter: irony and Allegory in Le conte dou graal and Li Chevaliers as deus espees |
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| Incipit Citation in French Lyric Poetry of the Twelfth through Fourteenth Centuries |
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| Minor Characters in Marie de France's Lais: Messengers and Their Messages |
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| Talking about the Poem in the Poem - Perhaps for Special Reasons? The Author (Male Author?) versus the Female "I" of the Poem? |
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| Skeptical Takes on Courtly Culture in Les Miracles de Nostre Dame par personnages |
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| "daz hat diu harpfe getan": Music and Performance of Courtly Culture in Middle High German Courtly Literature |
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| The Merchant's Residence and Garden as locus amoenus in the Yiddish Dukus Horant |
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| Romantic Love to the Death: The Fair Maiden of Astolat in Malory's Morte D 'Arthur and Lady Ariko in The Tale of the Heike |
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| Uncourtly Texts in Courtly Books: Observations on MS Chantilly, Musee Conde 475 |
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| Authority and Auctoritas in the Works of Jean Bodel |
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| "Pour ce que cuers ne puet mentir": le personnage matemel dans Galeran de Bretagne de Renaut |
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| Re-Examining Wace' s Round Table |
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| Ex libris Mariae: courtly book iconography in the illuminated manuscripts of Marie de France |
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| Instructing the Court: Raimon Vidal's Pedagogy for the Courtly Joglar |
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| Chemise and Ceinture: Marie de France's Guigemar and the Use of Textiles |
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| Equinec. A Recently Discovered Fourteenth Lai Composed by Marie de France |