Sammelwerk
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Eclecticism in late medieval visual culture at the crossroads of the Latin, Greek, and Slavic traditions Rossi, Maria Alessia • Sullivan, Alice Isabella [Hrsg.]. |
| In Reihe: | Sense, Matter, and Medium / 6 |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/2823581
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Rossi, Maria Alessia • Sullivan, Alice Isabella |
Inhalt
| Introduction |
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| Cross-Cultural and Transcultural Entanglement and Visual Culture in Eastern Europe, ca. 1300-1550 |
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| Serbian Royal Mausotea: A Quest for Cultural Identity |
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| Byzantine Forms and Catholic Patrons in Late Medieval Transylvania |
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| Buttressing Orthodoxy: Imagining Hagia Sophia and Celebrating Constantinople in Sixteenth-Century Russia |
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| Eclecticism and Originality in the Early Post-Byzantine Art of the Ottoman Balkans |
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| Pro or Contra Filioque? Trinitarian Synthronoi Images at the Crossroads of the Catholic West and the Orthodox East (ca. 1300-1500) |
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| The Dormition of the Virgin Between East and West: Artistic Exchange and Innovation in Medieval Wall Paintings from Slovakia |
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| The "Hybrid" Iconography of the Agnus Dei in Moldavian Wall Paintings |
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| The Akathistos on the Move and the Geography of Post-Byzantine Art |
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| The Crucified Monk at the Edge of Traditions |
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| "Sic enim Constantinus .. The Equestrian Portrait of King Ladislaus Jagiello in the Holy Trinity Chapel at the Castle of Lublin (1418) |
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| Donors, Patrons, and Benefactors in Medieval Epirus Between the Great Empires: A Society in Change or Continuity? |
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| Albanian Votive Images as Media of Transcultural Interaction Between Tradition and Innovation |
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| Toward a New Era: Patronage and Luxury Endowments to Mount Athos (Fourteenth to Mid-Sixteenth Centuries) |
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| A Murderer Among the Seraphim: Lapusneanu's Transfiguration Embroideries |