Sammelwerk
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Enacting the bible in medieval and early modern drama Contzen, Eva von • Goodblatt, Chanita [Hrsg.]. |
| In Reihe: | Manchester medieval literature and culture / 31 |
| Deskriptoren: |  |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/2636861
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Autoren suchen: Contzen, Eva von • Goodblatt, Chanita |
Inhalt
| Introduction |
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| Lay piety and impiety: the role of Noah's wife in the Chester pla< of Noah 's Flood |
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| Typology, community, and stagecraft in the N-Town 'Trial of Mary and Joseph.' |
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| Embodiment and joint attention: an enactive reading of the Middle English cycle plays |
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| From medieval to early modern choric threnody in biblical plays |
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| The itinerant healer as a stage role: its origins in religious drama |
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| Citing scripture in late medieval and early modern English morality drama |
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| Religious violence and dramatic innovation in the Tudor interlude: John Hevwood's The Pardoner and the Friar |
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| Elizabethan biblical drama |
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| Protestant place, Protestant props in the plays of Nicholas Grimald |
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| Staging prophecy: A Looking Glasse for London and the Book of Jonah |
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| Early modern dramatic martyrdom |
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| ‘Samson Figuru nese' biblical plays between Czech drama and English comedv in early modern Central Europe |
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| To play the Fool: the Book of Esther in early modern biblical drama |