Sammelwerk
Cultural performances in Medieval France: essays in honor of Nancy Freeman Regalado Doss-Quinby, Eglal [Hrsg.]. |
In Reihe: | Gallica / 5 |
Deskriptoren: | |
Sprache: | Englisch |
Kurztitel: | Essays Nancy Freeman Regalado |
Permalink:
http://opac.regesta-imperii.de/id/1257546
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Doss-Quinby, Eglal |
Inhalt
La poesie comme recit |
Colin Muset and Performance |
Subtilitas and Delectat io: Nem'a pas oublie |
"Fiables couvertes": Poetry and Performance in the Fifteenth Century |
Intimate Performance: An Ivory Writing Tablet Cover at The Cloisters |
A Cultural Performance in Silk: Sebelinne's aumousniere in the Dit de l'Empereur Constant |
Acting Like a Man: Performing Gender in Tristan de Nanteuil |
Amorous Performances: The Aventure de l'espee vermeille in Perceforest |
Historicizing Performance: The Case of the Jeu de Robin et Marion |
The Protean Performer: Defining Minstrel Identity in Tristan Narratives |
Performing Vernacular Song in Monastic Culture: The lectio divina in Gautier de Coinci's Miracles de Nostre Dame |
Performative Reading: Experiencing through the Poet's Body in Guillaume de Digulleville's Pelerinage de Jhesucrist |
The Anglo-Norman Office of the Cross in the Lichtenthal Psalter |
"Laver de ses pechies une pecheresse royale": Psalm Collects in an Early Fourteenth-Century Devotional Book |
Dramatic Troubles of Ecclesia: Gendered Performances of the Divided Church |
Preaching the Sins of the Ladies: Nicole Bozon's "Char d'Orgueil" |
Making Names, Breaking Lives: Women and Injurious Language at the Court of Isabeau of Bavaria and Charles VI |
Performing the Nation: The Play Performed at the Great Feast in Christine de Pizan's Biography of Charles V |
Variegated Performance of Aucassin et Nicolette |
Late Medieval Representations of Storytelling and Story-Performance |
Paratextual Performances in the Early Parisian Book Trade: Antoine Verard' s Edition of Boccaccio's Nobles et cleres dames (1493) |
"Resuscitating" Medieval Literature in New York and Paris: Lafemme que Nostre-Dame garda d'estre arse at Yvette Guilbert's School of Theatre, 1919-24 |
The Pitfalls and Promise of Classroom Performance |
"Dune chante haut et cler": remarques sur l'interpretation de la musique medievale |