Sammelwerk
Deskriptoren: | |
Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/415784
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Reinink, Adriaan Wessel • Stumpel, Jeroen |
Inhalt
![]() | The play of memory between words and images |
![]() | Ordnung im Gedächtnis: Alternative Überlegungen zum funktionalen und theoretischen Kontext des frühneuzeitlichen Sammlungswesens im deutschsprachigen Raum |
![]() | Linked or merged? Collecting and the enduring problem of arranging visual information |
![]() | The retrieval of classical architecture in the Quattrocento: the role of rhetoric in the formulation of Alberti's theory of architecture |
![]() | Bildkonzepte der Verleumdung des Apelles |
![]() | Out of oblivion: the later "fortuna critica" of Titian's "St. Peter Martyr altarpiece" |
![]() | Correggios "Leda": ein verdrängtes Bild |
![]() | A question of mentality: the changed appreciation of Thomas Murner's logical card game (c. 1500) |
![]() | Ekphrasis, oubli et mémoire. Restitution du cycle pictural de la Chapelle Royale de Lisbonne |
![]() | Giovan Pietro Bellori and the loss and restoration of (ancient) painting in Rome |
![]() | Das Grabmal des Porsenna: Rekonstruktionen eines Mythos vom 16. bis 19. Jahrhundert |
![]() | "Gothique"-"Moderne": Der Diskurs um die Wiederherstellung des Domes zu Speyer nach der Mitte des 18. Jahrhunderts |
![]() | Eine vergessene Restaurierung: die Hagia Sophia in Istanbul |
![]() | The early medieval monastery as a site of commemoration and place of oblivion |
![]() | Une nouvelle approche des tombeaux royaux de Santes Creus |
![]() | Private tomb and public altar: the origins of the mausoleum choir in Rome |
![]() | Weltliches Bestattungsbrauchtum zwischen Mittelalter und Renaissance |
![]() | Les tombeaux de Pedro et Inês: la mémoire sacralisée d'un amour clandestin |
![]() | The "Arca of St Dominic" at Bologna |
![]() | The bishop, the young lion and the two-headed dragon: the Burghersh memorial in Lincoln Cathedral |
![]() | The Bishop, the young lion and the two-headed dragon: the Burghersh memorial in Lincoln Cathedral |
![]() | Manipulating memories: postponed tombs for Galileo and Machiavelli |
![]() | Regeneration and the legacy of Venus: towards an interpretation of memory at early Christian Golgotha |
![]() | Memory and wonder: our Lady Mary in Ethiopian painting (15th-18th centuries) |
![]() | Petrus Christus' "Our Lady of the Dry Tree". A note on the influence of the veneration of images on early Netherlandish painting |
![]() | A Christian romance: the frescoes of San Galgano at Montesiepi |
![]() | The fabrication of sacred memory: the decoration of the Duomo and S. Maria Maggiore in sixteenth-century Bergamo |
![]() | The Escorial as an example of the "new architecture of the new Christian Antiquity": a study in the problem of legitimation during the Spanish Renaissance |
![]() | Saint Luis Beltrán in Valencian art and pageantry |
![]() | The memory palace of Constantine Porphyrogenitus |
![]() | Cults disrupted and memories recaptured: events in the life of the icon of the Virgin Hodegetria in Constantinople |
![]() | La récupération "dell'antico" dans la Bible de Charles V |
![]() | Sculpture aloft: the forgotten meanings of memorial sculpture on church roofs and towers |
![]() | Auftraggeber und Nachbesitzer: Handänderungen mittelalterlicher Bilderhandschriften und deren Folgen für die Stifterbilder |
![]() | Trying to forget: the lost Angevin past of Italy |
![]() | Graffiti as a medium for memoria in the early and high Middle Ages |
![]() | "Damnatio memoriae" in the medieval sculpture of sourthern Croatia |
![]() | Remembering or forgetting the meaning of an ornament? Trails of antiquity in early Byzantine ornamentation |
![]() | The manipulated memory: Thomas Becket in legend and art |
![]() | Forging monumental memories in the early twelfth century |
![]() | Memories at work, 1500-1900: an introduction |
![]() | La mémoire de Raphaël |
![]() | Out of time: ruins as places of remembering in Italian painting ca. 1500 |