Sammelwerk
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Musicology and sister disciplines: past, present, future; London, 1997 Greer, David [Hrsg.]. |
| In Reihe: | Proceedings of the ... international congress of the International Musicological Society / 16 |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/1510367
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Greer, David |
Inhalt
| The Study of Medieval Music: Some Thoughts on Past, Present, and Future |
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| The History of the Papal Chapel |
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| The Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries) |
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| The Influence of Homiletic and Exegetical Literature on the Fleury Lament of Rachel |
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| Le vocabulaire de la psalmodie dans la Règle de St Benoît, à la lumière des données musicales traditionnelles |
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| History and Liturgy: The Historia of Thomas Becket |
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| Inaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 1200-1600 |
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| Is it Polyphony? |
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| The Medieval Motet in Occitania and the 'Occitanian' Motet |
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| The Study of Pigments in Medieval Manuscripts |
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| Secular-Song Tenors and the Fourteenth-Century Motet |
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| Added Contratenors in the Ballades of Guillaume de Machaut |
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| The Wedding of Pious and Profane: A Cultural Context for the Chanson Mass |
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| Musical Life at the Collegiate Church of Saint-Omer, Northern France, c. 1460-1504 |
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| The Meaning of Okeghem's Intemerata dei mater |
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| Obrecht's Anchises: Virgilian Allusion in Mille quingentis |
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| The Controversial Identity of an Iberian Poet-Musician of the Renaissance: 'Badajoz el músico' |
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| Law as a Sister Discipline of Music in the Middle Ages and Renaissance |
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| Time out of Time: Eternity as a Thirteenth-Century Philosophical Issue Exemplified in Music |
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| Ordo naturalis in Eleventh-Century Theoretical Systems |
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| Glosses on Music and Grammar and the Advent of Music-Writing in the West |
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| Identifying Composer Autographs in Pre-1600 Manuscripts |
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| In the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe a.M. 1.13 |
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| The Structure of the Chigi Codex: An Enigma Resolved |
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| Interdisciplinary Objects: The Case of Hildegard of Bingen |
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| Rhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of Bingen |
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| Hildegard's Ordo virtutum: Musical Rhetoric and Monastic Education |
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| On the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music Theory |
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| Compositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500 |
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| The Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages |
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| Shepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth Centuries |