Sammelwerk
|
Papers read at the 12th Meeting of the IMS Study Group Cantus Planus, Lillaf red/Hungary, 2004, Aug. 23 - 28 Dobszay, László [Hrsg.]. |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/2533339
Alternative Formate:
MARC21 | BibTeX
 |
[ |
Autoren suchen: Dobszay, László |
Inhalt
| The viewpoints of two Medieval Jewish Philosophers on Music and its Relation to the Old Testament and Cantillation |
|
| Oral versus Written: Structural Differences in Jewish and Christian Psalms |
|
| Contrafactum and a Buddhist Neumatic Notation from Medieval Japan |
|
| Simple psalmody in Byzantine chant |
|
| "In the name of the mode". Intervallic content, nomenclature and numbering of the modes |
|
| Die spätbyzantinische Gesangsform der Kratemata |
|
| Observations on the Exegematic Notation through the Prism of the MS Exegesis of the Protopsaltes of the Great Church, Konstantinos Byzantinos: An Example |
|
| The Romanian Version of Petros Lampadarios' "Anastasimatarion". Observations Regarding the Principles of Music Adaptation |
|
| Data representation for Byzantine chant. Report from the NEUMES project |
|
| The Earliest Witness to the Text of the Roman Graduale |
|
| The Old Roman Invitatory |
|
| The Use of Old Latin in the Non-Psalmic Introit Texts |
|
| Reading the Bible: Grammar, Rhetoric and Exegesis in Gregorian Chant |
|
| Traditions and Innovation in the Antiphoner Benevento 848 |
|
| Non-Standart Introits in Beneventan Manuscripts: Compositional Strategies and Transmission in the Sources |
|
| The "Mystery" of Old Spanish Chant |
|
| I Corali della chiesa di S. Michele di Stroncone |
|
| The Hirsch Missal |
|
| Le manuscit Paris, BnF lat. 1136: un processionnal clunisien a l'usage de Saint.Martial de Limoges |
|
| Neue Quellen zu Neumen mit adiastematischer Zusatzbedeutung in österreichischen Handschriften |
|
| Chants and Provenance of the Fragmentary 12th-century Missal of Skara, Sweden |
|
| The Plainchant Manuscripts from Koper / Capodistria |
|
| The Sanctoral in cod. Zagreb MR 72 (around 1270) |
|
| Liqueszenzen als Schlüssel zur Textinterpretation - eine semiologische Untersuchung an Sankt Galler Quellen |
|
| Laon 236, témoin de deux traditions de neumation et d'une double typologie du graduel romano-franc |
|
| A Syntactical Study of the Quilisma and Oriscus |
|
| The Sound of the Early Neumes |
|
| The Histories of the Pre-Lenten Period |
|
| "Lamentabatur Jacob, Occurrerunt Maria et Martha". Unique Responsories in the Lenten Office of Medieval Aquileia |
|
| Les versus "Salve Festa Dies": leur dissémination dans les manuscrits du processionnal |
|
| "Crucem sanctam". Ein ungarisches (?) Proprium für die Heilig-Kreuz-Messe |
|
| Statistical Analysis of Relationships Between Sources of the Gregorian Mass Proper |
|
| The Hymnal of the Dominicans and the Teutonic Knights |
|
| Das Hymnenrepertoire des Stiftes Nonnberg in Salzburg |
|
| The West Frankish Kyrie Repertory |
|
| A Repertory of Mass Ordinaries in Eastern Europe - Reconsidered |
|
| The Lotharingian Axis and Monastic Reforms: Towards the Recovery of an Early Messine Trope Tradition |
|
| "Genitor summi filii": A Remarkable Career of a Sanctus Trope |
|
| Rhymed Offices in the Krakow Carmelite Liturgy |
|
| "Fidelis Caesar". Arnolf-"memoria" in the rhymed office for Saint Dionysius of St. Emmeram (12th-13th century) |
|
| Guillaume du Fay, Teacher and Theorist, and his Chant for Cambrai Cathedral |
|
| Liturgy and Ritual in the Middle Ages |
|
| The Cantus Sororum: Nuns Singing for their Supper, Singing for Saffron, Singing for Salvation |
|
| Die Frage der liturgischen Passionsmusik in Portugal vom 16. bis 18. Jahrhundert |
|
| How Have Serbian Chanters Learned to Chant in Recent History? |
|
| A European in Egypt. Late Byzantino-Sinaitic singing tradition in works by Guillaume-André Villoteau |