Sammelwerk
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Resounding images: medieval intersections of art music, and sound Boynton, Susan • Reilly, Diane J. [Hrsg.]. |
| In Reihe: | Studies in the visual cultures of the Middle Ages / 9 |
| Deskriptoren: |  |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/2135143
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Boynton, Susan • Reilly, Diane J. |
Inhalt
| Sound and linage in the Middle Ages. Reflections on a Conjunction |
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| The Voice in Relief: Sculpture and Surplus Vocality at the Rise of Naturalism |
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| Performing Silence and Regulating Sound: The Monastic Soundscape of Saint-Jean-des-Vignes |
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| Hearing the Image at Santo Domingo de Silos |
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| The Sound of Conversion in Medieval Iberia |
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| "Praiseworthy in that great multitude was the silence": Sound/Silence in the Topkapi Palace, Istanbul |
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| Monastic Soundspaces in Late Byzantium: The Art and Act of Chanting |
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| Written Voices: The Spoken Word in Middle Byzantine Monumental Painting |
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| Singing. Crying, Shouting, and Saying: Embroidered Aires and Epitaphloi and the Sounds of the Byzantine Liturgy |
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| The Aural-Visual Experience in the Ashkenazi Ritual Domain of the Middle Ages |
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| The Play of Daniel in the Cathedral of Beauvais |
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| Building a Church with Music: The Plainchant Capitals at Cluny, c. 1100 |
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| Sounds and Visions of Heaven: The Fusion of Music and Art in the Gradual of Gisela von Kerssenbroeek |
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| The Desert in Paradise: A Newly Discovered Office for John the Baptist from Paradies bei Socst and its Place in the Dominican Liturgy |
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| Staging the Blindfolded Bride: Between Medieval Drama and Piyyut Illumination in the Levy Mahzor |
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| Integrating Anselm: Pictures and the Liturgy in a Twelfth-Century Manuscript of the 'Orationes sive Meditationes' |
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| Silent Sounds: Musical Iconography in a Fifteenth-Century Jewish Prayer Book |