Sammelwerk
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Uno gentile et subtile ingenio: studies in Renaissance music in honour of Bonnie J. Blackburn Filocamo, Gioia • Bloxam, Mary Jennifer [Hrsg.]. |
| In Reihe: | Épitome musical |
| Deskriptoren: | |
| Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/1417960
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Filocamo, Gioia • Bloxam, Mary Jennifer |
Inhalt
| Naming of Parts: Notes on the Contratenor, c.1350-1450 |
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| The Problem of Diminished Counterpoint |
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| 'Improvised' Counterpoint in Monteverdi's 1610 Vespers |
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| Towards a Taxonomy of the 'Eton Style' |
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| 'el foglio rigato' Revisited: Prepared Paper in Musical Composition |
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| Aspects of Counterpoint Theory in the Tractado de canto mensurable (1535) of Matheo de Aranda |
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| The Beguines of Bruges and the Procession of the Holy Blood |
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| The Polyphonic Proses of Guillaume Du Fay |
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| Francesco Corteccia's Hymn for St. John's Day in the Florentine Liturgy, c.1544-1737 |
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| The Repertoire of the Papal Chapel after the Council of Trent: Tradition, Innovation, or Decline? |
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| Imitation, Meditation, and Penance: Don Lodovico Agostini's Le lagrime del peccatore (1586) |
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| "In oratorio nemo aliquid agat": Savonarola, lo spazio sacro e la musica |
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| Marian Devotions in Early Sixteenth-Century Spain: The Case of the Bishop of Palencia, Juan Rodríguez de Fonseca (1451-1524) |
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| The Ceremonial Soft Band of Fifteenth-Century Barcelona |
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| An Early Seventeenth-Century Source for Performing Practices at Toledo Cathedral |
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| Speaking of the Devil and Discipuli: Eloy d'Amerval, Saint-Martin of Tours, and Music in the Loire Valley, c.1465-1505 |
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| Dad and Granddad Were Cops: Josquin's Ancestry |
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| 'It's true that Josquin composes better …': The Short Unhappy Life of Gian de Artiganova |
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| The Contents of the Herdringen Scores |
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| Sulle orme di Ulrich Schubinger 'il giovane': repertorio 'vivo' dal codice musicale Augsburg, Staats- und Stadtbibliothek, 2° 142a |
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| Des Kaisers Alamire: Zur Entstehung des Chorbuchs Wien, Österreichische Nationalbibliothek, Mus. Hs. 15495 |
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| Franciscus de Rivulo and the Manuscript Gdansk, Biblioteka Gdanska Polskiej Akademii Nauk 4003 |
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| Polyphony for Corpus Christi in an Unknown Fragmentary Source from Mid-Fifteenth-Century Central Europe: An Interim Report |
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| A Postscript to Petrucci's Motetti B: A Closer Look at the 'Secret Manuscript' in the Paris Copy |
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| "Galli cantant". Maestri di cappella francesi in uno sconosciuto manoscritto di metà Cinquecento |
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| A Scriptor, a Singer, and a Mother Superior: Another Story about MS DCCLXI of the Biblioteca Capitolare in Verona |
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| Notes sur la copie des messes de Josquin des Prés dans un manuscrit italien de la fin du XVIe siècle |
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| A New Look at Cantus Firmus Process in Crecquillon's Missa Kain Adler in der Welt so schön |
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| A Fifteenth-Century Pellegrina and Standley's 'Harmony of the Spheres' Mass |
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| Patterns of Emulation and Influence in the Fors seulement Polyphonic Mass Tradition: New Insight Revealed through Music in Toledo |
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| Benedictus dominus deus Israel: A Motet by Johannes Lupi and a Mass by Gheerkin de Hondt |
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| Parody and Patriotism: A Sebastianist Reading of the Masses of Filipe de Magalhães |
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| Perfect Fifths and the Blessed Virgin's Immaculate Conception: On Ficta in Josquin's five-part Inviolata |
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| Busnoys, Burgundy, and the Song of Songs |
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| The Anonymous Motets of the Chigi Codex |
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| How Many Keys Are There to a Lock? Contextualizing a 16th-Century Motet |
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| Josquin and Champion: Conflicting Attributions for the Psalm Motet De profundis clamavi |
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| Eine Trauermotette von Costanzo Festa auf Heinrich Isaac? |
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| Absalon fili mi, Josquin, and the French Royal Court: Attribution, Authenticity, Context, and Conjecture |
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| 'Ainsi meurs vif': The Paradox of Choice in Renaissance Song |
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| 'La dolce vista del tuo viso pio': Du Fay and the Italian Song Tradition |
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| The Unquiet Thoughts of Edmund Spenser's Scudamour and John Dowland's First Booke of Songes |
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| Josquin and the Act of Self-Quotation: The Case of Plusieurs regretz |
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| 'Un baciar furioso, un dispogliarsi': Costanzo Festa and Eroticism |
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| 'Transferring Tunes and Adjusting Lines': Leonardo Giustinian and the Giustiniana in Quattrocento Florence |
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| 'La prima donna del mondo': Isabella d'Este's Musical Impresa, its Conception, and an Interpretation |
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| Ockeghem as 'The Bach of his Day' |
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| Multivoiced Canons attributed to Josquin |
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| Zirkelkanon im Niemandsland: Ikonographie und Symbolik im Chansonnier Florenz, Biblioteca Nazionale Centrale, Banco Rari 229 |
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| The 'Virtue' of Lorenzo Lotto: A Musical Intarsia in the Basilica of Santa Maria Maggiore in Bergamo |
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| Through the Looking-Glass: Pietro Cerone's Enigma del espejo |
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| The Italian Madrigal in Germany: A New Assessment of its Early Reception |
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| A Cultural Theory of the Chansonnier |
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| English Instrumental Music in the Fifteenth Century |
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| Made to Order: Choirbook Publications in Cinquecento Rome |
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| Musical Comedy at the Prince of Salerno's Palace in Naples |
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| Music and Theatre in Leo X's Rome |
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| "Napolitani … eccellentissimi musici, della composizione e del suono". Aspetti della vita musicale a Napoli nel Cinquecento |
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| Grateful Friends, True Friends: Gifts of Music and Poetry Associated with Girolamo Fenaruolo |
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| Enea Silvio Piccolomini and Music |
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| Le Lucidario in musica de Pietro Aaron |
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| Josquin's Teaching: Ignored and Lost Sources |
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| The Erudition of Florentius de Faxolis and Blasius Romerus |
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| Theory in Practice: Reminiscences of Gaffurius' Music Theory in the Milanese Choirbooks |
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| Tinctoris's Magnum opus |