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Medieval English syntax: studies in honor of Michiko Ogura Toswell, M. Jane • Taro, Ishiguro [Hrsg.]. |
In Reihe: | Studies in medieval language and literature / 61 |
Deskriptoren: | |
Sprache: | Englisch |
Permalink:
http://opac.regesta-imperii.de/id/2856862
Alternative Formate:
MARC21 | BibTeX
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Autoren suchen: Toswell, M. Jane • Taro, Ishiguro |
Inhalt
![]() | Introduction: Michiko Ogura's Friends |
![]() | Professor Michiko Ogura in "A Fair Field Full of Folk" |
![]() | Noun Phrase Modification in Medieval Cooking Instructions - Revisited |
![]() | Periphrastic Verb Constructions in Old English Verse and Lawman's Brut |
![]() | The Verbal Syntax of (ge)hyran and its Relation to Meaning |
![]() | The English of the Cloister |
![]() | Habban + Past Participle of an Intransitive Verb in Old English |
![]() | Guthlac wende feet he hi eefre gebetan ne mihte: Text Emendation and Expletive Negation |
![]() | Revisiting EVERY and EACH from Old English to Early Modern English |
![]() | Sentence-Initial Modals in Old English: Speaker's Intention and Adhortative Power .. |
![]() | Word Order in Old English Interlinear Glosses: A Case Study on the Position of Inserted Pronominal Subject |
![]() | On the So-called Genitive Object in Old English |
![]() | The Pluperfect Forms in the Different Manuscripts of Cursor Mundi |
![]() | Syntax, Meter, Early Medieval: An Intersectional Approach to Old English Verse |
![]() | Hrothwulf's Time with Hrothgar: sipfan in Widsith, Lines 45-49 |
![]() | Syntax and Style in Old English Verse: Binomials and Beowulf |
![]() | Some Problems of Categorization in Early Middle English |
![]() | Syntax and Beyond: Binomials in the Apollonius Story as Told by Gower |
![]() | The Hebrews with Braided Locks: A Note on Wundenlocc (Judith 325) |
![]() | Old English Syntax, Especially Verbs, in Early Nineteenth Century Primers, Especially Joseph Gwilt |
![]() | Syntactic and Narrative Significance of the Three Instances of poet wees god cyning in Beowulf Reconsidered |
![]() | A Bibliography of Writings by Michiko Ogura |