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Publikationen »Baert, Barbara«

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RI opac: 199 Einträge

1

Looking Into the Rain: Magic - Moisture - Medium Baert, Barbara. - Berlin [u.a.] (2022)

2

Ornamenta sacra: late medieval and early modern liturgical objects in a European context Dekoninck, Ralph • Claes, Marie-Christine • Baert, Barbara [Hrsg.]. - Leuven [u.a.] (2022)

3

From Kairos to Occasio through Fortuna: text/image/afterlife: on the antique critical moment, a grisaille in Mantua (School of Mantegna, 1495-1510), and the fortunes of Aby Warburg (1866-1929). Baert, Barbara. - London [u.a.] (2021)

4

Interruptions and transitions: essays on the senses in medieval and early modern visual culture. Baert, Barbara. - Leiden [u.a.] (2019)

5

Decapitation and sacrifice: Saint John's head in interdisciplinary perspectives: text, object, medium Verfasserangabe edited by Barbara Baert and Sophia Rochmes Baert, Barbara • Rochmes, Sophia [Hrsg.]. - Leuven [u.a.] (2017)

6

Revisiting Salome's dance in medieval and early modern iconology Baert, Barbara. - Leuven [u.a.] (2016)

7

Kairos or occasion as paradigm in the visual medium. "Nachleben", iconography, hermeneutics Baert, Barbara. - Leuven [u.a.] (2016)

8

Locus amoenus and the sleeping nymph: "ekphrasis", silence and "genius loci" Baert, Barbara. - Leuven [u.a.] (2016)

9

Late medieval enclosed gardens of the Low Countries: contributions to gender and artistic expression. Baert, Barbara. - Leuven (2016)

10

In response to echo: beyond mimesis or dissolution as scopic regime (with special attention to camouflage) Baert, Barbara. - Leuven [u.a.] (2016)

11

"Noli me tangere" in interdisciplinary perspective: textual, iconographic and contemporary interpretations Bieringer, Reimund • Baert, Barbara • Demasure, Karlijn [Hrsg.]. - Leuven [u.a.] (2016)

12

"Pneuma" and the visual medium in the Middle Ages and early modernity: essays on wind, "ruach", incarnation, odour, stains, movement, kairos, web and silence Baert, Barbara. - Leuven [u.a.] (2016)

13

Nymph: motif, phantom, affect ; a contribution to the study of Aby Warburg (1866 - 1929) Baert, Barbara. - Leuven [u.a.] (2014)

14

Disembodied heads in medieval and early modern culture Santing, Catrien G. • Baert, Barbara • Traninger, Anita [Hrsg.]. - Leiden [u.a.] (2013)

15

To touch or not to touch? Interdisciplinary perspectives on the Noli me tangere Bieringer, Reimund • Demasure, Karlijn • Baert, Barbara [Hrsg.]. - Leuven (2013)

16

Kleine iconologie van het weven Baert, Barbara. - Leuven (2012)

17

Caput Johannis in disco: essay on a man's head. Baert, Barbara. - Leiden [u.a.] (2012)

18

New perspectives in iconology: visual studies and anthropology Baert, Barbara • Lehmann, Ann-Sophie • Van den Akkerveken, Jenke [Hrsg.]. - Bruxelles (2011)

19

To touch with the gaze: noli me tangere and the iconic space. Baert, Barbara. - Oostakker (2011)

20

Interspaces between word, gaze and touch: the Bible and the visual medium in the Middle Ages ; collected essays on Noli me tangere, the Woman with the Haemorrhage, the Head of John the Baptist Baert, Barbara. - Leuven (2011)

21

Onheil, pijn, bloed: voorstellingen van lijden Baert, Barbara • Verminck, M. [Hrsg.]. - Gent (2009)

22

Kleine iconologie van de navel Baert, Barbara. - Leuven (2009)

23

Fluid flesh: the body, religion and the visual arts Baert, Barbara • Gelder, Hilde van [Hrsg.]. - Leuven (2009)

24

Weaving, veiling, and dressing: textiles and their metaphors in the late Middle Ages Rudy, Kathryn M. • Baert, Barbara [Hrsg.]. - Turnhout (2007)

25

Noli me tangere: Mary Magdalene: one person, many images ; exhibition, Maurits Sabbe Library, 23 february - 30 april 2006, Faculty of Theology, K. U. Leuven Baert, Barbara • Bieringer, Reimund • Demasure, Karlijn • Van den Eynde, S. [Hrsg.]. - Leuven (2006)

26

Het wellende water: De bron in tekst en beeld in de middeleeuwse Nederlanden en het Rijnland Baert, Barbara • Fraeters, Veerle [Bearb.]. - Leuven (2005)

27

A heritage of holy wood: the legend of the true cross in text and image Baert, Barbara. - Leiden [u.a.] (2004)

28

Maria Magdalena, Zondares van de Middeleeuwen tot Vandaag. [Museum voor Schone Kunsten, Gent, 7 december 2002 - 6 april 2003] Baert, Barbara [Hrsg.]. - Gent (2002)

29

Een erfenis van heilig hout: de neerslag van het teruggevonden kruis in tekst en beeld tijdens de Middeleeuwen Baert, Barbara. - Leiden (2001)

30

Aan de vruchten kent men de boom: de boom in tekst en beeld in de middeleeuwse Nederlanden Baert, Barbara • Fraeters, Veerle [Hrsg.]. - Leuven (2001)

31

Crux interpretum: Luc Hoenraet et Documenta Libraria Sabbe, M. • Lamberigts, Mathijs • Gistelinck, Frans • Baert, Barbara [Hrsg.]. - Antwerpen (1997)

32

Het "Boec van den Houte" Baert, Barbara. - Brussel (1995)

33

Het Boec van den Houte door Johan Veldener (Culemborg, 1483): een iconografische studie van de kruislegende (Vol. 1-3) Baert, Barbara. - Leuven (1989)

34

Heavenly Fragrance. Late Medieval Enclosed Gardens of the Low Countries and the Senses . Baert, Barbara. (2024) - In: (Er-)Leben von Spiritualität. Die fünf Sinne in religiösen Gemeinschaften des Mittelalters S. 237-259

35

Revisiting the Annunciation in the Quattrocento: Wind, Kalros, Snail Baert, Barbara. (2024) - In: Mary, mother of God. Devotion and doctrine in the visual arts, 1450-1700 S. 172-214

36

Notes on Galileo's moon Baert, Barbara. (2024) - In: FS Walter S. Melion S. 464-477

37

Kairos and Metanoia: rethinking the right moment in early Christian art. Baert, Barbara. (2023) - In: Recueil Xavier Barral i Altet S. 455-464

38

The Incipit Miniature of the Morgan Gospel of John Baert, Barbara. (2023) - In: Journal of Latin cosmopolitanism and european literatures Bd. 8 (2023) https://jolcel.ugent.be/article/id/84855/

39

The nymph of the grotto: silence and genius loci. Baert, Barbara. (2021) - In: Imaging Utopia. New perspectives on Northern Renaissance art S. 2-15

40

The New Lamb and the Iconic Gaze Baert, Barbara. (2021) - In: Iconographica Bd. 20 (2021) S. 103-115

41

Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510) Baert, Barbara. (2020) - In: Ikon Bd. 13 (2020) S. 95-108

42

Noli me tangere in the Codex Egberti (Reichenau, c. 977-93) and in the Gospel Book of Otto in (Reichenau, 998-1000): Visual Exegesis in Context Baert, Barbara. (2020) - In: Tributes John Lowden S. 36-51

43

Trompe-l'OEil und Raum der Intimität. Die Eingefassten Gärten in den Niederlanden neu denken (15. Jahrhundert und später) Baert, Barbara. (2020) - In: Exzessive Mimesis. Trompe l'OEils und andere Überschreitungen der ästhetischen Grenze S. 163-196

44

"Who touched me and my clothes?": the healing of the woman with the Haemorrhage in Early Medieval visual culture Baert, Barbara. (2019) - In: Baert, Interruptions and transitions S. 73-130

45

The "Johannesschlüssel" as "Andachtsbild" Baert, Barbara. (2019) - In: Baert, Interruptions and transitions S. 131-168

46

Pentecost and the senses: a hermeneutical contribution to the visual medium and the "Sensorium" in Early Medieval manuscript tradition. Baert, Barbara. (2019) - In: Baert, Interruptions and transitions S. 11-35

47

An odour, a taste, a touch: impossible to describe: "Noli me tangere" and the senses. Baert, Barbara. (2019) - In: Baert, Interruptions and transitions S. 36-72

48

Wild is the wind: "Pathosformel" and the iconology of a Quintessence. Baert, Barbara. (2019) - In: Baert, Interruptions and transitions S. 221-255

49

"When the daughter came in and danced": revisiting Salome's dance in medieval and Early Modern iconology. Baert, Barbara. (2019) - In: Baert, Interruptions and transitions S. 169-220

50

The Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence Baert, Barbara. (2018) - In: The figure of the nymph in early modern culture S. 149-176

51

Art and mysticism as horticulture: late medieval enclosed gardens of the Low Countries in an interdisciplinary perspective. Baert, Barbara. (2018) - In: Art and mysticism. Interfaces in the medieval and modern periods S. 104-127

52

Groeien, maken, betekenen, met speciale aandacht voor de paperollen Baert, Barbara. (2018) - In: De Besloten Hofjes van Mechelen S. 78-91

53

Revisiting Seth in the Legend of the Wood of the Cross: Interdisciplinary Perspectives between Text and Image Baert, Barbara. (2018) - In: Studies Michael E. Stone (2018) S. 132-169

54

Late Medieval Enclosed Gardens of the Low Countries: Mixed Media, Remnant Art, Recyclage and Gender in the Low Countries (Sixteenth Century Onwards) Baert, Barbara • Iterbeke, Hannah • Watteuw, Lieve. (2018) - In: The agency of things in Medieval and early modern art. Materials, power and manipulation S. 33-47

55

Growing, Making, Meaning, with Special Attention to the "Paperolles" Baert, Barbara. (2018) - In: Enclosed gardens of Mechelen. Late medieval paradise gardens revealed S. 78-91

56

Kairos. Nachleben, iconography, hermeneutics Baert, Barbara. (2017) - In: Iconographica Bd. 16 (2017) S. 72-93

57

Wandering heads, wandering media: framing the head of Saint John the Baptist between sculpture and painting. Baert, Barbara. (2017) - In: Decapitation and sacrifice. Saint John's head in interdisciplinary perspectives S. 197-231

58

Revisiting the Enclosed Gardens of the Low Countries (Fifteenth Century Onwards). Gender, Textile, and the Intimate Space as Horticulture Baert, Barbara. (2017) - In: Textile. The journal of cloth and culture Bd. 15 (2007) S. 2-33

59

Vox clamantis in deserto: John's head on the silent platter. Baert, Barbara. (2017) - In: Decapitation and sacrifice. Saint John's head in interdisciplinary perspectives S. 63-92

60

"Gib mir auf einer Schüssel das Haupt Johannes des Täufers": die Passion des Johannes zwischen Skulptur und Malerei. Baert, Barbara. (2016) - In: Blut und Tränen. Albrecht Bouts und das Antlitz der Passion S. 43-54

61

The Annunciation and the senses: late medieval devotion and the pictorial gaze. Baert, Barbara. (2016) - In: The materiality of devotion in late Medieval Northern Europe S. 121-145

62

La Fille Dansante au prisme de l'interdisciplinarité: (avec un détour par la Capella Marciana à Venise). Baert, Barbara. (2016) - In: Études Christian Heck S. 25-36

63

Instrumentalities and the late medieval "Enclosed gardens" of the Low Countries Baert, Barbara. (2016) - In: Kunst og kultur Bd. 99 (2016) S. 132-141

64

Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition Baert, Barbara. (2016) - In: Preaching after Easter. Mid-Pentecost, Ascension and Pentecost in late antiquity S. 346-370

65

La Pentecôte dans le Codex Egberti (v. 980) et le Bénédictional de Robert de Jumièges (fin du Xe siècle): le médium visuel et les sens. Baert, Barbara. (2016) - In: Les cinq sens au Moyen Âge S. 521-544

66

The Pact between Space and Gaze: The Narrative and the Iconic in Noli me tangere Baert, Barbara. (2016) - In: "Noli me tangere" in interdisciplinary perspective S. 191-216

67

The Annunciation and the Senses: Ruach, Pneumat Odour Baert, Barbara. (2015) - In: Essays Bianca Kühnel S. 197-216

68

Textile, Tactility, and the Senses. The 13th-century Embroidered Antependium of Wernigerode Revisited Baert, Barbara. (2015) - In: Clothing the sacred. Medieval textiles as fabric, form, and metaphor S. 89-120

69

The Tree as Narrative, Formal, and Allegorical Index in Representations of the 'Noli me tangere' Baert, Barbara • Kusters, Liesbet. (2014) - In: The tree. Symbol, allegory, and mnemonic device in medieval art and thought S. 159-186

70

Le Vent: Pathosformel et iconologie d'une quintessence Baert, Barbara. (2014) - In: Eikón. Imago Bd. 3, 1 (2014) S. 161-178

71

Lavit et venit videns: The Healing of the Blind Man at the Pool of Siloam Baert, Barbara. (2014) - In: Visual constructs of Jerusalem S. 23-34

72

Cutting the throat. Obscenity and the Case of the Johannesschüssel Baert, Barbara. (2014) - In: Scenes of the obscene. The non-representable in art and visual culture S. 127-146

73

Vox clamantis in deserto: die Johannesschüssel ; Sinne und Stille. Baert, Barbara. (2014) - In: Das Münster Bd. 67 (2014) S. 194-206

74

The dancing daughter and the head ofjohn the Baptist (Mark 6:14-29) revisited. An interdisciplinary approach Baert, Barbara. (2014) - In: Memento mori, il genere macabro in Europa dal Medioevo a oggi S. 39-60

75

La leggenda della vera croce e la sua iconografia (VIII-XV secolo). La disseminazione dei cicli figurativi in prospettiva eur Baert, Barbara. (2013) - In: Enciclopedia Costantiniana http://www.treccani.it/enciclopedia/la-leggenda-della-vera-croce-e-la-sua-iconografia-la-disseminazione-dei-cicli-figurativi-in-prospettiva-eur_%28Enciclopedia-Costantiniana%29/

76

"Who touched my clothes?": the healing of the woman with the Haemorrhage (Mark 5:24b-34parr) in Early Mediaeval visual culture Baert, Barbara. (2013) - In: Die "dunklen Seiten" Gottes S. 259-312

77

Wind - on a pictorial quintessence. Baert, Barbara. (2013) - In: Images. Journal for Visual Studies Bd. 1 (2013) S. 1-15 http://www.visual-studies.com/images/no1/baert.html

78

The Johannesschüssel as Andachtsbild: the gaze, The medium and the senses. Baert, Barbara. (2013) - In: Disembodied heads in medieval and early modern culture S. 117-160

79

Nymphe (Wind): der Raum zwischen Motiv und Affekt in der frühen Neuzeit Baert, Barbara. (2013) - In: Ars. Casopis Bd. 46, 1 (2013) S. 16-42

80

When the daughter came in and danced: revisiting Salome's dance in medieval and early modern iconology. Baert, Barbara. (2013 - 2014) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2013/14) S. 152-192

81

Introduction Santing, Catrien G. • Baert, Barbara. (2013) - In: Disembodied heads in medieval and early modern culture S. 1-13

82

The pact between space and gaze: the narrative and the iconic in "Noli me tangere". Baert, Barbara. (2013) - In: Fiction sacrée. Spiritualité et esthétique durant le premier âge moderne S. 245-270

83

"Gender", visione e sensi: nuova luce sul tabernacolo del Beato Chiarito. Baert, Barbara. (2013) - In: Ikon Bd. 6 (2013) S. 79-96

84

Wind und Sublimierung in der christlichen Kunst des Mittelalters: die Verkündigung Baert, Barbara. (2013) - In: Das Münster Bd. 66 (2013) S. 109-117

85

An odour, a taste, a touch, impossible to describe: noli me tangere and the senses. Baert, Barbara. (2013) - In: Religion and the Senses in Early Modern Europe S. 111-151

86

Nourished by inwardness: the Beato Chiarito tabernacle (c. 1340). Baert, Barbara. (2013) - In: Speaking to the eye. Sight and insight through text and image (1150 - 1650) S. 213-240

87

The legend of the True Cross reconsidered: a discovery in the Grotto Church of Andria, Italy (15th century). Baert, Barbara. (2013) - In: Das Kreuz. Darstellung und Verehrung in der Frühen Neuzeit S. 32-55

88

Wild is the wind: pathosfomel and iconology of a quintessence Baert, Barbara. (2013) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2000) S. 9-47

89

The gaze in the garden: Mary Magdalene in Noli me tangere. Baert, Barbara. (2012) - In: Mary Magdalene, iconographic studies from the Middle Ages to the baroque S. 189-221

90

An issue of blood: the healing of the woman with the haemorrhage (Mark 5.24B-34; Luke 8.42B-48; Matthew 9.19-22) in early medieval visual culture. Baert, Barbara • Kusters, Liesbet • Sidgwick, Emma. (2012) - In: Blood, sweat, and tears. The changing concepts of physiology S. 307-338

91

The Legend of the True Cross reconsidered: a discovery in the Grotto Church of Andria, Italy (fifteenth century) Baert, Barbara. (2012) - In: Artibus et historiae Bd. 33, 66 (2012) S. 49-74

92

Adam, Seth and Jerusalem. The Legend of the Wood of the Cross in Medieval Literature and Iconography Baert, Barbara. (2012) - In: Adam, le premier homme S. 69-100

93

Wind und Sublimierung in der christlichen Kunst des Mittelalters: Essay über Pathos und Affekt Baert, Barbara. (2012) - In: Archaeus. Etudes d'histoire des religions Bd. 16 (2012) S. 231-268

94

Decapitation and the paradox of the meditative image: Andrea Solario (1507) and the transformation and the transition of the Johannesschüssel from the Middle Ages to the Renaissance. Baert, Barbara. (2012) - In: Ut pictura meditatio. The meditative image in Northern art, 1500 - 1700 S. 277-315

95

Noli me tangere: narrative and iconic space. Baert, Barbara. (2012) - In: Jerusalem as narrative space S. 323-350

96

The Antependium of Nedstryn and the Exultation of the Cross Baert, Barbara. (2012) - In: Ikon Bd. 5 (2012) S. 65-83

97

The gaze of death. The head of Saint John the Baptist on a platter between north and south Baert, Barbara. (2012) - In: Arte cristiana Bd. 100 (2012) S. 55-64

98

Touching the Hem: The Thread between Garment and Blood in the Story of the Woman with the Haemorrhage (Mark 5:24b-34parr) Baert, Barbara. (2012) - In: Kleider machen Bilder. Vormoderne Strategien vestimentärer Bildsprache S. 159-182

99

Kleine iconologie van de wind Baert, Barbara. (2012) - In: Esthetica. Tijdschrift voor Kunst en Filosofie (2012) S. 1-37 http://estheticatijdschrift.wp.hum.uu.nl/wp-content/uploads/sites/175/2014/09/1.-Esthetica-Kleine-iconologie-van-de-wind-2014-10-07.pdf

100

"He Must Increase, but I Must Decrease". On the Spiritual and Pictorial Interwining between the Johannesschüssel and the Vera Icon (John 3:30). Baert, Barbara. (2011) - In: Baert, Interspaces between word, gaze and touch S. 63-88

101

The Annunciation revisited: essay on the concept of wind and the senses in late medieval and early modern visual culture Baert, Barbara. (2011) - In: Critica d'arte Bd. 73 (2011) S. 63-74

102

The Johannesschüssel as Andachtsbild: the gaze, the medium and the senses Baert, Barbara. (2011) - In: Archaeus. Etudes d'histoire des religions Bd. 15 (2011) S. 225-264

103

The Pact between Word and Image. Baert, Barbara. (2011) - In: Baert, Interspaces between word, gaze and touch S. 1-10

104

"Who Touched My Clothes?" The Healing of the Woman with the Haemorrhage (Marc 5:30). Baert, Barbara. (2011) - In: Baert, Interspaces between word, gaze and touch S. 35-62

105

'Je hebt mijn hart verwond': Hooglied in beeld. Baert, Barbara. (2011) - In: Ezra Bd. 40 (2011) S. 10-21

106

"Do not hold on to me" or The Gaze in the Garden. Body and Embodiment in Noli me tangere. (John 20:17) Baert, Barbara. (2011) - In: Baert, Interspaces between word, gaze and touch S. 11-34

107

"He Must Increase, but I Must Decrease". On the Spiritual and Pictorial Intertwining between the Johannesschüssel and the Vera Icon (1200-1500) Baert, Barbara. (2011) - In: Meditatio - Refashioning the self S. 323-366

108

A sign of health: new perspectives in iconology. Baert, Barbara. (2011) - In: New perspectives in iconology. Visual studies and anthropology S. 7-14

109

The Waning and the Waxing. 'The Head of St John the Baptist on aTazza' by Andrea Solario (1507, Louvre) Baert, Barbara. (2011) - In: "Videre et videri coincidunt". Theorien des Sehens in der ersten Hälfte des 15. Jahrhunderts S. 371-394

110

Interspaces between Word, Gaze and Touch. Baert, Barbara. (2011) - In: Baert, Interspaces between word, gaze and touch S. 89-104

111

The Head of Saint John the Baptist on a Platter: the Gaze of Death Baert, Barbara. (2011) - In: Ikon Bd. 4 (2011) S. 163-174

112

'Who touched my clothes?': the healing of the woman with the haemorrhage (Mark 5: 24-34; Luke 8: 42-48 and Matthew 9: 19-22) in early medieval visual culture. Baert, Barbara. (2010) - In: Konsthistorisk tidskrift Bd. 79 (2010) S. 65-90

113

Contributions to the origins of the "Noli me tangere" motif Baert, Barbara. (2010) - In: Iconographica Bd. 9 (2010) S. 26-41

114

"Chi ha toccato i miei vestiti?": la guarigione della donna con l'emorragia fra testo, immagine e tabù nella cultura visiva del primo medioevo. Baert, Barbara. (2010) - In: Ikon Bd. 3 (2010) S. 393-412

115

Wild is the wind: Pathosformel and iconology of a quintessence. Baert, Barbara. (2010) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2010) S. 9-47

116

De Johannesschotel: kleine geschiedenis van het lijdende mannenhoofd Baert, Barbara. (2009) - In: Onheil, pijn, bloed. Voorstellingen van lijden S. 19-35

117

De blik in de tuin: "Noli me tangere" en lichamelijkheid in de middeleeuwse visuele cultuur Baert, Barbara. (2009) - In: Collationes. Vlaams tijdschrift voor theologie en pastoraal Bd. 39 (2009) S. 291-317

118

"Who touched me and my clothes?": the healing of the woman with the haemorrhage (Mark 5:24b-34parr) in early mediaeval visual culture. Baert, Barbara. (2009) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2009) S. 10-50

119

The glorified body: relics, materiality and the internalized image Baert, Barbara • De Greef, L.. (2009) - In: Barklit heaven. Power and devotion in the archdiocese Mechelen S. 130-152

120

Noli me tangere. Narrative and Iconic Space Baert, Barbara. (2009) - In: Espaces et mondes au Moyen Âge S. 279-300

121

"Qui a touché mon manteau?" La guérison d'une femme atteinte de flux de sang (Marc 5:24b-34) à la croisée du texte, de l'image et du tabou dans la culture visuelle du haut Moyen Âge. Baert, Barbara. (2009) - In: Archaeus. Etudes d'histoire des religions Bd. 13 (2009) S. 1-30

122

Between technique and symbolism: notes on the meaning of the use of gold in pre-Eyckian panel painting: a contribution to the comparative history of art north and south of the Alps Baert, Barbara. (2009) - In: Pre-Eyckian panel painting in the Low countries. 2 Essays S. 7-22

123

Hierotopy, Jerusalem and the Legend of the Wood of the Cross Baert, Barbara. (2009) - In: Novye Ierusalimy. Ierotopija i ikonografija sakralnych prostranstv S. 176-201

124

'The head of St John the Baptist on a Tazza' by Andrea Solario (1507): The transformation and transition of the 'Johannesschüssel' from the middle ages to the Renaissance Baert, Barbara. (2008) - In: Cultural mediators. Artists and writers at the crossroads of tradition, innovation and reception S. 87-107

125

Nole me tangere of Het onaangeroerde lichaam: vijf oefeningen in de theologische esthetica van het aanrakingsverbod. Baert, Barbara. (2008) - In: Esthetica. Tijdschrift voor Kunst en Filosofie (2008) S. 1-19

126

De legende van het kruishout in de Nederlanden. Baert, Barbara. (2008) - In: Hout in boeken, houten boeken en de fraaye konst van houtdraayen S. 63-78

127

"Je hebt mijn hart verwond": Hooglied in beeld Baert, Barbara. (2008) - In: Hooglied. Bijbelse liefde in beeld, woord en klank S. 59-105

128

The Gaze in the Garden: Body and Embodiment in "Noli me tangere" Baert, Barbara. (2008) - In: Body and embodiment in Netherlandish art S. 14-39

129

The gaze in the garden: body and embodiment in Noli me tangere Baert, Barbara. (2008) - In: Nederlands kunsthistorisch jaarboek Bd. 58 (2008) S. 15-39

130

Hierotopy, Jerusalem and the legend of the wood of the cross Baert, Barbara. (2008) - In: Archaeus. Etudes d'histoire des religions Bd. 11/12 (2008) S. 95-116

131

Héraclius, l'Exaltation de la Croix et le Mont-Saint-Michel au XIe siècle: une lecture attentive du ms. 641 de la Pierpont Morgan Library à New York Baert, Barbara. (2008) - In: Cahiers de civilisation médiévale Bd. 51 (2008) S. 3-20

132

The healing of the blind man at Siloam, Jerusalem: a contribution to the relationship between holy places and the visual arts in the Middle Ages Baert, Barbara. (2007) - In: Arte cristiana Bd. 95 (2007) S. 49-60, 121-130

133

Dressing Baert, Barbara. (2007) - In: Weaving, veiling, and dressing. Textiles and their metaphors in the late Middle Ages S. 241-243

134

The twilight zone of the "Noli me tangere": contributions to the history of the motif in Western Europe (ca. 400 - ca. 1000) Baert, Barbara • Kusters, Liesbet. (2007) - In: Louvain studies Bd. 32 (2007) S. 255-303

135

The embroidered antependium of Wernigerode, Germany: Mary Magdalene and female spirituality in the thirteenth century Baert, Barbara. (2007) - In: Konsthistorisk tidskrift Bd. 76 (2007) S. 147-167

136

Nourished byinwardness: The Beato Chiarito Tabernacle (c. 1340) Baert, Barbara. (2007) - In: Annali dell'Università di Ferrara. Sezione Storia Bd. 4 (2007) S. 27-50

137

Le plateau de Jean-Baptiste: l'image du médiateur et du précurseur Baert, Barbara. (2007) - In: Graphè Bd. 16 (2007) S. 91-125

138

Weaving Baert, Barbara. (2007) - In: Weaving, veiling, and dressing. Textiles and their metaphors in the late Middle Ages S. 39-40

139

Veiling Baert, Barbara. (2007) - In: Weaving, veiling, and dressing. Textiles and their metaphors in the late Middle Ages S. 159-160

140

Mantle, fur, pallium: veiling and unveiling in the martyrdom of Agnes of Rome Baert, Barbara. (2007) - In: Weaving, veiling, and dressing. Textiles and their metaphors in the late Middle Ages S. 215-238

141

The head of St John the Baptist on a tazza by Andrea Solario (1507): the transformation and the transition of the Johannesschüssel from the Middle Ages to the Renaissance Baert, Barbara. (2007) - In: Critica d'arte Bd. 69 (2007) S. 60-82

142

'Noli me tangere' or the untouchable body: five exercises in the prohibition on touching. Baert, Barbara. (2007) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2007) S. 8-21

143

Pitcher and Comb: Verena of Zurzach and the possibilities and limitations of iconology Baert, Barbara. (2006) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2006) S. 9-25

144

Woord, huid, sluier: omtrent beeld en monotheïsme Baert, Barbara. (2006) - In: Mens, verhaal van een wonde S. 100-107

145

De aanraking met de blik: een beeldanalyse met het Noli me tangere Baert, Barbara. (2006) - In: Noli me tangere. Mary Magdalene. One person, many images S. 43-52

146

De tranen van Maria Magdalena Baert, Barbara. (2006) - In: Streven Bd. 73 (2006) S. 331-341

147

Wasserkrug und Kamm: Verena von Zurzach als Kasus für die Grenzen und Möglichkeiten der ikonologischen Methode Baert, Barbara. (2006) - In: Österreichische Zeitschrift für Volkskunde Bd. 60 (2006) S. 35-62

148

The Pool of Bethsaida: The Cultural History of a Holy Place in Jerusalem Baert, Barbara. (2005) - In: Viator Bd. 36 (2005) S. 1-22

149

Anna and the annunciation: essays on the meaning of the well and the tree during the early Middle Ages Baert, Barbara. (2005) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2005) S. 8-35

150

De tranen van Maria Magdalena. Baert, Barbara. (2005) - In: Kunstschrift Bd. 6 (2006) S. 30-35

151

More than an image, Agnes of Rome: virginity and visual memory Baert, Barbara. (2005) - In: More than a memory. The discourse of martyrdom S. 139-168

152

Het wellende water Baert, Barbara. (2005) - In: Het wellende water. De bron in tekst en beeld in de middeleeuwse Nederlanden en het Rijnland S. 11-17

153

The Wall Paintings in the Campanile of the Church of S. Nicola in Lanciano (c. 1300-1400): Reading an Unknown Legend of the Cross in the Abruzzi Baert, Barbara. (2005) - In: Reading images and texts. Medieval images and texts as forms of communication S. 311-366

154

De wassende wonde: Laatmiddeleeuwse denkbeelden omtrent Christus als "Fons pietatis" Baert, Barbara. (2005) - In: Het wellende water. De bron in tekst en beeld in de middeleeuwse Nederlanden en het Rijnland S. 175-203

155

The washing wound: late medieval ideas concerning Christ as "Fons pietatis" Baert, Barbara. (2004) - In: Mitteilungen für Anthropologie und Religionsgeschichte Bd. 16 (2004) S. 203-241

156

The Image Beyond the Water. Christ and the Samaritan woman in Sant' Angelo in Formis (1072-1087) Baert, Barbara. (2004) - In: Arte cristiana Bd. 92 (2004) S. 237-247

157

El pensamiento petrificado: a propósito de la tercera dimensión en la teoría de la imagen medieval Baert, Barbara. (2004) - In: El fruto de la fe. El legado artistico de Flandes en la isla de la Palma en el siglo XVI S. 119-127

158

The wood, the water, and the foot or, how the Queen of Sheba met up with the true cross: with special emphasis on Northern European iconography Baert, Barbara. (2004) - In: Mitteilungen für Anthropologie und Religionsgeschichte Bd. 16 (2004) S. 243-304

159

The legend of the True Cross between North and South: suggestions and nuances for the current research. Baert, Barbara. (2004) - In: Annali dell'Università di Ferrara. Sezione Storia Bd. 1 (2004) S. 123-150

160

A head on a platter: the Johannesschlüssel or The image of the mediator and the precursor Baert, Barbara. (2003) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2003) S. 9-41

161

De haren van Maria Magdalena Baert, Barbara. (2003) - In: Arts, antiques, auctions , 1 (2003) S. 10-13

162

Schaamte en lichamelijkheid in de beeldvorming omtrent Maria Magdalena Baert, Barbara. (2003) - In: Speling. Tijdschrift voor bezinning Bd. 55 (2003) S. 46-60

163

The Wall Paintings in the Campanile of the Church of St. Nicola in Lanciano (ca. 1330 - 1400): reading an Unknown Legend of the Cross in the Abruzzi, Italy Baert, Barbara. (2003) - In: Iconographica Bd. 2 (2003) S. 108-125

164

Iconogenesis or Reflections on the byzantine theory of imagery. Baert, Barbara. (2002) - In: A-prior Bd. 7 (2002) S. 128-141

165

De Piscina probatica: een bron in het middeleeuws Jeruzalem Baert, Barbara. (2002) - In: Heilige plaatsen. Jeruzalem, Lourdes en shopping malls S. 29-53

166

Imagining the mystery: the resurrection and the visual medium in the Middle Ages Baert, Barbara. (2002) - In: FS J. Lambrecht S. 483-506

167

Maria Magdalena, de geschiedenis van een vrouwbeeld Baert, Barbara. (2002) - In: Maria Magdalena, Zondares van de Middeleeuwen tot Vandaag S. 11-27

168

Idolatrie en iconografie: het enigma van het beeld Baert, Barbara. (2002) - In: Van madonna tot Madonna. In de ban van beelden, idolen en afgoden S. 165-189

169

Mary Magdalene, the history of a woman's image Baert, Barbara. (2002) - In: Maria Magdalena, Zondares van de Middeleeuwen tot Vandaag S. 74-82

170

La Piscine probatique à Jérusalem: une source thérapeutique dans les textes et les images médiévaux Baert, Barbara. (2002) - In: Liber amicorum Maurits Smeyers S. 91-129

171

Anna and the Annunciation: essay on the meaning of the well and the tree during the early Middle Ages. Baert, Barbara. (2002) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2002) S. 8-35

172

Een huid van ivoor: het Nachleben van Pygmalion's geliefde Baert, Barbara. (2002) - In: Bijdragen. International journal in philosophy and theology Bd. 63 (2002) S. ??

173

Das Antependium von Nedstryn (Norwegen, 1310) und die Kreuzerhöhungslegende Baert, Barbara. (2001) - In: Das Münster Bd. 54 (2001) S. 46-58

174

'Totten paradise soe sult ghi gaen': De verbeelding over de herkomst van het kruishout Baert, Barbara. (2001) - In: Aan de vruchten kent men de boom S. 19-47

175

Gli affreschi della Cappella farfense a Montegiorgio (ca 1425): una leggenda della vera croce nelle Marche Baert, Barbara. (2001) - In: Arte cristiana Bd. 89 (2001) S. 219-233

176

Inleiding - Aan de vruchten kent men de boom Baert, Barbara • Fraeters, Veerle. (2001) - In: Aan de vruchten kent men de boom S. 13-17

177

De kruisvinding in de maaslandse emailkunst van de 12de eeuw Baert, Barbara. (2000) - In: Revue belge d'archéologie et d'histoire de l'art Bd. 69 (2000) S. 9-59

178

Twilight between tradition and innovation: the iconography of the Cross-legend in the sinopie of Masolino de Panicale at Empoli Baert, Barbara. (2000) - In: Storia dell'arte Bd. 99, 2 (2000) S. 5-16

179

The gendered visage: facets of the Vera icon. Baert, Barbara. (2000) - In: Jaarboek van het Koninklijk Museum voor Schone Kunsten (2000) S. 10-43

180

Kijken naar het ware gelaat van Christus Baert, Barbara. (2000) - In: Onze Alma Mater met Leuvense perspectieven Bd. 54, 4 (2000) S. 482-520

181

The Retable of the Master of Tressa (Sienna, 1215). Iconography and Function Baert, Barbara. (1999) - In: Pantheon Bd. 57 (1999) S. 14-21

182

New Observations on the Genesis of Girona (1050-1100). The Iconography of the Legend of the True Cross Baert, Barbara. (1999) - In: Gesta Bd. 38 (1999) S. 115-127

183

Exaltatio crucis: de Byzantijnse keizer Heraclius (610-641) en het middeleeuwse Westen Baert, Barbara. (1999) - In: Bijdragen. International journal in philosophy and theology Bd. 60 (1999) S. 147-172

184

Und mal yr auch eyn Gensfuss: the queen of Sheba's goose foot in medieval literature and art Baert, Barbara. (1999) - In: The Growth of Authority in the Medieval West S. 174-192

185

Exaltio Crucis. De Byzantijnse keizer Heraclius (610-641) en het middeleeuwse Westen Baert, Barbara. (1999) - In: Bijdragen. International journal in philosophy and theology Bd. 60 (1999) S. 147-172

186

Le sacramentaire de Gellone (750 - 790) et l'invention de la Croix: l'image entre le symbole et l'histoire Baert, Barbara. (1998) - In: Arte cristiana Bd. 86 (1998) S. 449-460

187

L'invention de la croix dans le sacramentaire de Gellone (750-780): entre l'histoire et le symbole Baert, Barbara. (1998) - In: Arte cristiana Bd. 86 (1998) S. 449-460

188

Eenduidig dogma, veelzijdig beeld: omtrent de mystieke wijnpers Baert, Barbara. (1998) - In: Dirk Bouts (ca. 1410-1475) S. 109-125

189

The "Allegory with a Virgin". Contributions to the solution of an iconographic enigma Baert, Barbara. (1997) - In: Memling Studies S. 195-210

190

The figure of Seth in the vault-paintings in the parish church of Östofte: in search of the iconographical tradition Baert, Barbara. (1997) - In: Konsthistorisk tidskrift Bd. 66, 2/3 (1997) S. 97-111

191

Boec van den Houte, Culemborg, Johan Veldener, 1483: Brussels, Royal library Albert I, INC A 1582 Baert, Barbara. (1997) - In: Crux interpretum. Luc Hoenraet et Documenta Libraria S. 52-54

192

Caliban as a wild-man: an iconographic approach Baert, Barbara. (1997) - In: Constellation Caliban. Figurations of a character S. 43-59

193

The iconography of the Cross-legend in the Sinopie of Masolino da Panicale at Empoli: twilight between tradition and innovation Baert, Barbara. (1997) - In: Le Dessin sous-jacent et la technologie dans la peinture. Perspectives S. 193-203

194

Het literaire en iconografische beeld van Maria Magdalena Baert, Barbara. (1997) - In: Onze Alma Mater met Leuvense perspectieven , 1 (1997) S. 65-81

195

De zwervende geest van Aby Warburg: notities bij een kunsthistorische nostalgie Baert, Barbara. (1996) - In: Streven Bd. 63 (1996) S. 798-803

196

In hoc vinces: iconography of the stone cross in the parish church of Kelloe (Durham, ca 1200) Baert, Barbara. (1996) - In: Album Amicorum André Van Doorselaer S. 341-362

197

Seth of de terugkeer naar het paradijs: bijdragen tot het kruishoutmotief in de Middeleeuwen Baert, Barbara. (1995) - In: Bijdragen. International journal in philosophy and theology Bd. 56 (1995) S. 313-339

198

Aspects of the Invention of the Cross: iconography around 1400 and its relationship with the genre of the classes and the Adamite peasant Baert, Barbara. (1995) - In: Flanders in a European Perspective. Manuscript Illumination Around 1400 in Flanders and Abroad S. 309-325

199

Iconographical notes to the Prognosticatio by Johannes Lichtenberger (1488): using a copy printed by Peter Quentel (Cologne, 1526) and preserved in the Library of the Theology faculty in Leuven Baert, Barbara. (1994) - In: Early sixteenth century printed books, 1501-1540 in the Library of the Leuven Faculty of Theology S. 139-168

Suchbeispiele

Nachname beginnt mit 'Zg': zg

Nachname beginnt mit 'Kucz': kucz

Nachname beginnt mit 'Kucz' und Vorname mit "A": kucz*, a

Nachname beginnt mit 'Ku' und Vorname 'Andreas': ku*andreas

Vorname 'Fumiko': *fumiko

Varianten von 'de Lacroix': *de*la*cro*

Varianten von 'Mayboom': m__b__m

Hinweis: Hier im Personenindex sind alle Namen von Autoren, Herausgebern und beteiligten Personen und Institutionen aufgelistet, die den Werken in der Datenbank zugeordnet sind. Der Index wird automatisch per Software erstellt.
Bitte beachten Sie ausserdem die von RI-Mitarbeitern gepflegten Personeneinträge im Thesaurus zur inhaltlichen Auszeichnung der Werke, da diese Einträge hier nicht mit aufgelistet werden.