Publikationen »Bent, Margaret«
Weiterleitung der Anfrage zur Suchmaschine des Karlsruher Virtuellen Katalogs: Bent, Margaret
RI opac: 76 Einträge
1 | The Dorset rotulus: contextualizing and reconstructing the early English motet Bent, Margaret • Hartt, Jared Christopher • Lefferts, Peter Martin. |
3 | Fauvel Studies. Allegory, chronicle, music and image in Paris, BnF ms fr. 146 Bent, Margaret • Wathey, Andrew [Hrsg.]. |
4 | The Old Hall manuscript: a paleographical study Bent, Margaret. |
5 | Principles of Mensuration and Coloration: Virtuosity and Anomalies in the Old Hall Manuscript Bent, Margaret. |
6 | Washington, Library of Congress, M2.1 .C6 1400 Case: A Neglected English Fragment Bent, Margaret. |
8 | Polyphonic Fragments: Destruction, Recovery, Reconstruction Bent, Margaret. |
9 | Icarus, Phaeton, Haman: Did Vitry Know Dante? Bent, Margaret • Brownlee, Kevin. |
10 | Mayshuet and the Deo gratias Motets in the Old Hall Manuscript Bent, Margaret. |
11 | Machaut's Motet 10 and its Interconnections Bent, Margaret. |
12 | What next?: recent work and new directions for English medieval music Bent, Margaret. |
13 | The absent first gathering of the Chantilly manuscript Bent, Margaret. |
14 | The transmission of music by English composers and Du Fay at the time of the Council of Constance Bent, Margaret. |
15 | Melchior or Marchion de Civilibus, prepositus brixiertsis: New Documents Bent, Margaret. |
16 | Polyphonic sources, ca. 1400-1450 Bent, Margaret. |
17 | Some singers of polyphony in Padua and Vicenza around Pietro Emiliani and Francesco Malipiero Bent, Margaret. |
18 | Jacobus de Ispania? - Ein Zwischenbericht Bent, Margaret. |
19 | "Libri de cantu" in the Early Fifteenth-Century Veneto: Contents, Use and Ownership Bent, Margaret. |
20 | Francesco Malipiero, Antonio da Roma: Another musical connection? Bent, Margaret. |
21 | The Trent 92 and Aosta indexes in context Bent, Margaret. |
23 | Performative Rhetoric and Rhetoric as Validation Bent, Margaret. |
24 | Musica Recta and Musica Ficta Bent, Margaret. |
25 | Petrarch, Padua, the Malatestas, Du Fay, and Vergene bella Bent, Margaret. |
26 | Grammar and rhetoric in late medieval polyphony: modern metaphor or old simile? Bent, Margaret. |
27 | The Earliest Fifteenth-Century Transmission of English Music to the Continent Bent, Margaret. |
28 | Indexes in late medieval polyphonic music manuscripts: a brief tour Bent, Margaret. |
29 | The Myth of tempus perfectum diminutum in the Chantilly Manuscript Bent, Margaret. |
30 | Naming of Parts: Notes on the Contratenor, c.1350-1450 Bent, Margaret. |
31 | Deception, Exegesis and Sounding Number in Machaut's Motet 15 Bent, Margaret. |
33 | Ciconia's dedicatee, Bologna Q 15, Brassart, and the Council of Basel Bent, Margaret. |
34 | "Divisi" and "a versi" in early fifteenth-century mass movements Bent, Margaret. |
35 | The Musical Stanzas in Martin Le Francs Le Champion des Dames Bent, Margaret. |
36 | Words and music in Machaut's motet 9 Bent, Margaret. |
37 | The 'Harmony' of the Machaut Mass Bent, Margaret. |
38 | "Sounds perish": in what sense does Renaissance music survive? Bent, Margaret. |
39 | The Digital Image Archive of Medieval Music Bent, Margaret • Craig-McFeely, Julia • Wathey, Andrew. |
40 | On the interpretation of 0 in the fifteenth century: a response to Rob Wegman Bent, Margaret. |
41 | The Use of Cut Signatures in Sacred Music by Binchois Bent, Margaret. |
42 | Varieties of motet Bent, Margaret. |
43 | Early papal motets Bent, Margaret. |
44 | Music and the early Veneto humanists Bent, Margaret. |
45 | Art. Dunstaple, John Bent, Margaret. |
46 | Early papal motets Bent, Margaret. |
47 | The use of cut signatures in sacred music by Ockeghem and his contemporaries Bent, Margaret. |
48 | Fauvel and Marigny: which came first? Bent, Margaret. |
49 | The grammar of early music: preconditions for analysis Bent, Margaret. |
50 | Introduction [Fauvel Studies. Allegory, chronicle, music and image in Paris] Bent, Margaret. |
52 | A new canonic Gloria and the changing profine of Dunstaple Bent, Margaret. |
53 | The early use of the sign. Bent, Margaret. |
54 | The Vitry motet "Tribum que non abhorruit / Quoniam secta latronum/merito hec patimur" and its "quotations" Bent, Margaret. |
55 | The late-medieval motet Bent, Margaret. |
56 | Deception, exegesis and sounding number in Machaut's motet 15 Bent, Margaret. |
57 | A note on the dating of the Trémoïlle manuscript Bent, Margaret. |
58 | Subtiliter alternare: The Yoxford Motet O amicus / Precursoris Bent, Margaret • Howlett, David Robert. |
59 | The definition of simple polyphony. Some questions Bent, Margaret. |
60 | A contemporary perception of early fifteenth-century style: Bologna Q15 as a document of scribal editorial initiative Bent, Margaret. |
61 | Diatonic ficta. Bent, Margaret. |
62 | Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications Bent, Margaret. |
63 | Resfacta and Cantare super librum Bent, Margaret. |
64 | The Machaut manuscripts Vg, B and E Bent, Margaret. |
65 | Resfacta and cantare super librum Bent, Margaret. |
66 | New sources of English thirteenth- and fourteenth-century polyphony Bent, Margaret • Lefferts, Peter Martin. |
67 | The Saxilby fragment Bowers, Roger D. • Bent, Margaret. |
68 | Some criteria for establishing relationships between sources of late-medieval polyphony Bent, Margaret. |
69 | Rota versatilis - towards a reconstruction Bent, Margaret. |
70 | The songs of Dufay: some questions of form and authenticity Bent, Margaret. |
71 | New sacred polyphonic fragments of the early quattrocento Bent, Margaret. |
72 | The Transmission of English Music 1300 - 1500: Some Aspects of Repertory and Presentation Bent, Margaret. |
73 | Musica Recta and Musica Ficta Bent, Margaret. |
74 | Dufay, Dunstable, Plummer - a new source Bent, Ian D. • Bent, Margaret. |
75 | A postscript on the Berkeley theory manuscript Bent, Margaret. |
76 | Sources of the Old Hall Music Bent, Margaret. |
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