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Publikationen »Fassler, Margot Elsbeth«

Weiterleitung der Anfrage zur Suchmaschine des Karlsruher Virtuellen Katalogs: Fassler, Margot Elsbeth

RI opac: 69 Einträge

1

Cosmos, Liturgy, and the Arts in the Twelfth Century: Hildegard's Illuminated "Scivias" Fassler, Margot Elsbeth. - Philadelphia (2022)

2

Liturgical Life and Latin Learning at Paradies bei Soest, 1300-1425: Inscription and Illumination in the Choir Books of a North German Dominican Convent (Vol. 1-2) Hamburger, Jeffrey F. • Schlotheuber, Eva • Marti, Susan • Fassler, Margot Elsbeth [Hrsg.]. - Münster i. W. (2017)

3

Medieval cantors and their craft: music, liturgy and the shaping of history, 800-1500 Bugyis, Katie Ann-Marie • Kraebel, Andrew Brock • Fassler, Margot Elsbeth [Hrsg.]. - Woodbridge (2017)

4

[Bibliographie] Fassler, Margot Elsbeth. (2016) http://nd.academia.edu/margotfassler

5

Music in the Medieval West Fassler, Margot Elsbeth. - New York (2014)

6

The virgin of Chartres: making history through liturgy and the arts Fassler, Margot Elsbeth. - New Haven, Conn. (2010)

7

Psalms in community: Jewish and Christian textual liturgical, and artistic traditions Attridge, Harold W. • Fassler, Margot Elsbeth [Hrsg.]. - Atlanta (2003)

8

Musicians for the churches: reflections on vocation and formation: a publication of the Institute of Sacred Music at Yale University Fassler, Margot Elsbeth [Hrsg.]. - New Haven, Conn. [u.a.] (2001)

9

The Divine Office in the Latin Middle Ages: methodology and source studies, regional developments, hagiography written in honor of professor Ruth Steiner Fassler, Margot Elsbeth • Baltzer, Rebecca Anne [Hrsg.]. - Oxford (2000)

10

Gothic song: Victorine sequences and Augustinian reform in twelfth century Paris Fassler, Margot Elsbeth. - Cambridge [u.a.] (1993)

11

Soundings within and without the "Temple": Liturgical Voices in the Purification Procession Fassler, Margot Elsbeth. (2022) - In: Zwischen Klausur und Welt S. 175-198

12

Hildegard of Bingen and Her Scribes Fassler, Margot Elsbeth. (2021) - In: The Cambridge companion to Hildegard of Bingen S. 280-305

13

Liturgical History and Hagiography as Reflected in the Ordinal of Nivelles, with Emphasis on the Cult of St Gertrude Fassler, Margot Elsbeth. (2020) - In: The Liber ordinarius of Nivelles (Houghton Library, MS Lat 422) S. 175-236

14

Hymns and Sequences in the Twelfth and Thirteenth Century Fassler, Margot Elsbeth. (2019) - In: Hymns and hymnody. Historical and theological introductions Tl. 1 S. 144-158

15

The Cosmos and the Altar in Hildegard's Scivias and Select Sequence Texts Fassler, Margot Elsbeth. (2019) - In: Full of your glory. Liturgy, cosmos, creation S. 187-210

16

Women and Their Sequences: An Overview and a Case Study Fassler, Margot Elsbeth. (2019) - In: Speculum Bd. 94 (2019) S. 625-673

17

Music and prosopography Fassler, Margot Elsbeth. (2018) - In: The Cambridge history of medieval music S. 176-209

18

The Victorines and the Medieval Liturgy Fassler, Margot Elsbeth. (2018) - In: A companion to the Abbey of Saint Victor in Paris S. 389-421

19

The Language, Form, and Performance of Monophonic Liturgical Chants Boynton, Susan • Fassler, Margot Elsbeth. (2017) - In: Medieval Latin liturgy in English translation S. 376-402

20

Images and Chants for a Digital Model of the Cosmos Fassler, Margot Elsbeth. (2017) - In: Journal of the Alamire Foundation Bd. 9 (2017) S. 161-178

21

Shaping the Historical Dunstan: Many Lives and a Musical Office Fassler, Margot Elsbeth. (2017) - In: Medieval cantors and their craft. Music, liturgy and the shaping of history, 800-1500 S. 125-150

22

The Desert in Paradise: A Newly Discovered Office for John the Baptist from Paradies bei Socst and its Place in the Dominican Liturgy Fassler, Margot Elsbeth • Hamburger, Jeffrey F.. (2015) - In: Resounding images. Medieval intersections of art music, and sound S. 251-280

23

Angels and Ideas - Hildegard's Musical Hermeneutic as Found in Scivias and Reflected in O splendidissima gemma Fassler, Margot Elsbeth. (2015) - In: Unversehrt und unverletzt. Hildegards von Bingen Menschenbild und Kirchenverständnis heute S. 189-212

24

Allegorical architecture in 'Scivias': Hildegard's setting for the 'Ordo Virtutum' Fassler, Margot Elsbeth. (2014) - In: Journal of the American Musicological Society Bd. 67 (2014) S. 317-378

25

Hearing the Heavenly Symphony: An Overview of Hildegard's Musical Oeuvre with Case Studies Leigh-Choate, Tova • Flynn, William T. • Fassler, Margot Elsbeth. (2014) - In: A companion to Hildegard of Bingen S. 163-192

26

Hildegard as Musical Hagiographer: Engelberg, Stiftsbibliothek Ms. 103 and Her Songs for Saints Disibod and Ursula Leigh-Choate, Tova • Flynn, William T. • Fassler, Margot Elsbeth. (2014) - In: A companion to Hildegard of Bingen S. 193-220

27

Volmar, Hildegard, and St. Matthias Fassler, Margot Elsbeth. (2013) - In: Studies Richard Crocker S. 85-112

28

Musique et liturgie chartraines Fassler, Margot Elsbeth. (2013) - In: Chartres. La grâce d'une cathédrale 7 S. 391-394

29

Mary in Seventh-Century Spain: the Mass Liturgy of Dec. 18 Fassler, Margot Elsbeth. (2013) - In: El canto mozárabe y su entorno S. 217-236

30

The Language, Form, and Performance of Monophonic Liturgical Chants Boynton, Susan • Fassler, Margot Elsbeth. (2012) - In: The Oxford handbook of medieval Latin literature S. 376-402

31

Krankheit und Gesundheit in den Kompositionen Hildegards von Bingen Fassler, Margot Elsbeth. (2011) - In: Musica. Geistliche und weltliche Musik des Mittelalters S. 190-193

32

Liturgical books and book production in the thirteenth-century diocese of Chartres: the case of Biblioteca Apostolica Vaticana, Vat. Lat. 4756 Fassler, Margot Elsbeth. (2011) - In: The calligraphy of medieval music S. 125-152

33

Musik, Liturgie und architektonischer Raum am Beispiel der Kathedrale von Chartres Fassler, Margot Elsbeth. (2011) - In: Musica. Geistliche und weltliche Musik des Mittelalters S. 92-95

34

History and practice: the opening of Hildegard's "Scivias" in a liturgical framework Fassler, Margot Elsbeth. (2010) - In: Religion and literature Bd. 42 (2010) S. 211-227

35

The Liturgical Framework of Time and the Representation of History Fassler, Margot Elsbeth. (2010) - In: Representing history, 900 - 1300. Art, music, history S. 149-172

36

Helgaud of Fleury and the Liturgical Arts: The Magnification of Robert the Pious Fassler, Margot Elsbeth. (2010) - In: Magnificence and the sublime in Medieval aesthetics S. 103-128

37

Cataloguing medieval manuscript fragments: a window on the scholar's workshop, with an emphasis on electronic resources Fassler, Margot Elsbeth. (2010) - In: Perspectives on medieval art. Learning through looking S. 109-125

38

The Victorine sequences revisited: 1993-2009 Fassler, Margot Elsbeth. (2010) - In: L'École de Saint-Victor de Paris. Influence et rayonnement S. 433-457

39

Fulbert après Fulbert: le mythe d'un évêque de Chartres Fassler, Margot Elsbeth. (2008) - In: Fulbert de Chartres, précurseur de l'Europe médiévale ? S. 103-119

40

"Adventus" at Chartres: Ritual Models for Major Processions Fassler, Margot Elsbeth. (2007) - In: Ceremonial Culture in Pre-Modern Europe S. 13-62

41

'Voices Magnified': Response to Katherine Zieman Fassler, Margot Elsbeth. (2005) - In: Voices in dialogue. Reading women in the Middle Ages S. 335-343

42

Psalms and prayers in daily devotion: a fifteenth-century devotional anthology from the diocese of Rheims: Beinecke 757 Fassler, Margot Elsbeth. (2004) - In: Worship in medieval and early modern Europe S. 15-40

43

Music For the Love Feast: Hildegard of Bingen and the "Song of Songs" Fassler, Margot Elsbeth. (2004) - In: Women's Voices across Musical Worlds S. 92-117

44

Music and the miraculous: Mary in the Mid-Thirteenth-Century Dominican sequence repertory Fassler, Margot Elsbeth. (2004) - In: Aux origines de la liturgie dominicaine S. 229-278

45

The first Marian feast in Constantinople and Jerusalem: chant texts, readings, and homiletic literature Fassler, Margot Elsbeth. (2001) - In: Studies Kenneth Levy S. 25-87

46

Sermons, sacramentaries, and early sources for the Office in the Latin West: the example of Advent Fassler, Margot Elsbeth. (2000) - In: Studies Ruth Steiner S. 15-47

47

Mary's Nativity, Fulbert of Chartres and the Stirps Jesse: Liturgical Innovation circa 1000 and Its Afterlife Fassler, Margot Elsbeth. (2000) - In: Speculum Bd. 75 (2000) S. 389-434 http://www.jstor.org/stable/2887583

48

Hildegard's Ordo virtutum: Musical Rhetoric and Monastic Education Fassler, Margot Elsbeth. (2000) - In: Musicology and sister disciplines. Past, present, future S. 647

49

Composer and dramatist: "Melodious singing and the freshness of remorse" Fassler, Margot Elsbeth. (1998) - In: Voice of the living light. Hildegard of Bingen and her world S. 149-175

50

Art. Sequence (early) Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 875

51

Art. Mary, liturgical veneration of Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 597-598

52

Art. Tropes, Ordinary Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 928

53

Art. Versus Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 949-950

54

Art. Adam of Saint-Victor Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 6-7

55

Art. Rhymed office Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 797

56

Art. Liturgical commentators Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 553-554

57

Art. Dedication of the Church Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 291

58

Art. Sequence (late) Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 875-876

59

Art. Tropes, Proper Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 928-929

60

Art. Prosula Fassler, Margot Elsbeth. (1995) - In: Medieval France. An Encyclopedia S. 765

61

Liturgy and sacred history in the twelfth-century tympana at Chartres. Fassler, Margot Elsbeth. (1993) - In: The Art bulletin Bd. 75 (1993) S. 499-520

62

The Feast of Fools and Danielis ludus: popular tradition in a medieval cathedral play Fassler, Margot Elsbeth. (1992) - In: Plainsong in the Age of Polyphony S. 65-99

63

The disappearance of the proper tropes and the rise of late sequence: new evidence from Chartres Fassler, Margot Elsbeth. (1992) - In: Cantus Planus. International Musicological Society Study Group S. 319-335

64

Representations of time in Ordo representacionis Ade Fassler, Margot Elsbeth. (1991) - In: Contexts. Style and Values in Medieval Art and Literature S. 97-113

65

Art. Sequence, late Fassler, Margot Elsbeth. (1988) - In: Dictionary of the Middle Ages Tl. 11 S. 166-167

66

Accent, meter and rhythm in medieval treatises De rhythmis Fassler, Margot Elsbeth. (1987) - In: The Journal of musicology Bd. 5 (1987) S. 164-190

67

The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony Fassler, Margot Elsbeth. (1987) - In: Speculum Bd. 62 (1987) S. 345-374

68

The office of the cantor in early western monastic rules and customaries: a preliminary investigation. Fassler, Margot Elsbeth. (1985) - In: Early music history Bd. 5 (1985) S. 29-51

69

Who was Adam of St. Victor? The evidence of the sequence manuscripts Fassler, Margot Elsbeth. (1984) - In: Journal of the American Musicological Society Bd. 37 (1984) S. 233-269

Suchbeispiele

Nachname beginnt mit 'Zg': zg

Nachname beginnt mit 'Kucz': kucz

Nachname beginnt mit 'Kucz' und Vorname mit "A": kucz*, a

Nachname beginnt mit 'Ku' und Vorname 'Andreas': ku*andreas

Vorname 'Fumiko': *fumiko

Varianten von 'de Lacroix': *de*la*cro*

Varianten von 'Mayboom': m__b__m

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