RI OPAC: Die Literaturdatenbank zum Mittelalter - Über 2,8 Millionen verzeichnete Werke

RI-Opac SucheTreffer: 78

Suchergebnisse

Deskriptoren: Ganzer, Klaus (1932-) • Ackerman, James S. (1919-2016)


1Artikel  Palladio, Michelangelo and publica magnificentia
Ackerman, James S.. (2010) - In: Annali di architettura Bd. 22 (2010) S. 63-78

2Artikel  Remembering Arnaldo
Ackerman, James S.. (2009) - In: Annali di architettura Bd. 21 (2009) S. 9-10

3Buchbeitrag  Premessa: ville italiane del Rinascimento
Ackerman, James S.. (2009) - In: Delizie estensi. Architetture di villa nel Rinascimento italiano ed europeo S. 3-16

4Buchbeitrag  Antichi e moderni: l'invenzione della tradizione
Ackerman, James S.. (2006) - In: Villa. Siti e contesti S. 3-14

5Artikel  On Scolari's Disegno obliquo
Ackerman, James S.. (2006) - In: Albertiana Bd. 9 (2006) S. 225-231

6Buchbeitrag  La villa: forma e ideologia
Ackerman, James S.. (2005) - In: Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa S. 3-12

7Buchbeitrag  Vincenzo Scamozzi and Renaissance attitudes toward medieval architecture
Ackerman, James S.. (2004) - In: Per Franco Barbieri S. 35-45

8Buchbeitrag  The aesthetics of architecture in the Renaissance
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 176-184

9Buchbeitrag  The influence of antiquity on Italian Renaissance villas
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 186-215

10Buchbeitrag  Palladio: Classical in what sense?
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 236-262

11Buchbeitrag  The conventions and rhetoric of architectural drawing
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 294-317

12Buchbeitrag  On the origins of art history and criticism
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 2-25

13Buchbeitrag  The origins of architectural drawing in the Middle Ages and Renaissance
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 28-65

14Sammelwerk  Origins, imitation, conventions: representation in the visual arts
Ackerman, James S.. - Cambridge [u.a.] (2002)

15Buchbeitrag  Preface
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. viii-xi

16Buchbeitrag  Leonardo da Vinci's church designs
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 68-93

17Buchbeitrag  On the origins of art history and criticism
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 2-25

18Buchbeitrag  Daniele Barbaro and Vitruvius
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 218-234

19Buchbeitrag  Leonardo da Vinci's church designs
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 68-93

20Buchbeitrag  Art and science in the drawings of Leonardo da Vinci
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts S. 144-173

RI-Opac SucheTreffer: 78