Collection of Essays
A companion to Guillaume de Machaut Bain, Jennifer Lynne • McGrady, Deborah Lynn [Publ.]. |
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Language: | English |
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Content
The poetic I |
Guillaume de Machaut and the forms of pre-humanism in fourteenth-century France |
Poet as musician |
"Ma fin est mon commencement": the essence of poetry and song in Guillaume de Machaut |
"et mon commencement ma fin": genre and Machaut's musical language in his secular songs |
Machaut and debate poetry |
Moving across media: Machaut's lais and the judgement tradition |
Machaut's musical heritage |
Self-citation and compositional process in Guillaume de Machaut's lyrics with and without music: the case of "Dame, se vous n'avez aperceü" (Rondeau 13) |
The motets read and heard |
Declamation as expression in Machaut's music |
Guillaume de Machaut and the classical tradition: individual talent and (un)communal tradition |
"Laisser le mal, le bien eslire": history, allegory, and ethical reading in the works of Guillaume de Machaut |
History's fixers: informants, mediators, and writers in the Prise d'Alexandre |
Instrumental comparisons: Machaut's shorter Dits |
Guillaume de Machaut's lyric poetry |
Performing Machaut's Messe de Notre Dame: from modernist allegiances to the postmodern hinterland |
Machaut and his material legacy |