Collection of Essays
In Book Series: | Studies in medieval and Renaissance music / 4 |
Descriptors: | |
Language: | English |
Permalink:
http://opac.regesta-imperii.de/id/990838
Alternative Formate:
MARC21 | BibTeX
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Search for authors: Clark, Suzannah • Leach, Elizabeth Eva |
Content
"Naturalis concordia vocum cum planetis": conceptualizing the harmony of the spheres in the early Middle Ages |
'Auctoritas cereum habet nasum': Boethius, Aristotle, and the music of the spheres in the thirteenth and early fourteenth centuries |
Types and transmission of musical examples in Franco's "Ars cantus mensurabilis musicae" |
Ciconia's citations in "Nova musica": new sources as biography |
Fauvel goes to school |
"Auctoritas" and the motets of Philippe de Vitry |
Fire, desire, duration, death: Machaut's motet 10 |
Machaut reading Machaut: self-borrowing and reinterpretation in motets 8 and 21 |
Declamatory dissonance in Machaut |
'Qui bien aimme a tart oublie': Guillaume de Machaut's "Lay de plour" in context |
'Imitatio', 'intertextuality', and early music |
"Apollinis eclipsatur": foundation of the 'Collegium musicorum' |
De plus en plus: numbers, Binchois, and Ockeghem |
An English adoption of the Burgundian chanson |
Learning to compose in the 1540s: Gioseffo Zarlino's "Si bona suscepimus" |
The eloquence of silence: tacet inscriptions in the Alamire manuscripts |