RI OPAC: Literature Database for the Middle Ages - Listing over 2.8 million titles

Content

Essay   

"Naturalis concordia vocum cum planetis": conceptualizing the harmony of the spheres in the early Middle Ages
Rankin, Susan K.. • p. 3-19

Essay   

'Auctoritas cereum habet nasum': Boethius, Aristotle, and the music of the spheres in the thirteenth and early fourteenth centuries
Rico, Gilles. • p. 20-28

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Types and transmission of musical examples in Franco's "Ars cantus mensurabilis musicae"
Leitmeir, Christian Thomas. • p. 29-44

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Ciconia's citations in "Nova musica": new sources as biography
Haggh, Barbara H.. • p. 45-56

Essay   

Fauvel goes to school
Holford-Strevens, Leofranc. • p. 59-66

Essay   

"Auctoritas" and the motets of Philippe de Vitry
Wathey, Andrew. • p. 67-78

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Fire, desire, duration, death: Machaut's motet 10
Brownlee, Kevin. • p. 79-93

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Machaut reading Machaut: self-borrowing and reinterpretation in motets 8 and 21
Clark, Alice V.. • p. 94-101

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Declamatory dissonance in Machaut
Earp, Lawrence Marshburn. • p. 102-122

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'Qui bien aimme a tart oublie': Guillaume de Machaut's "Lay de plour" in context
Newes, Virginia. • p. 123-138

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'Imitatio', 'intertextuality', and early music
Milsom, John. • p. 141-151

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"Apollinis eclipsatur": foundation of the 'Collegium musicorum'
Howlett, David Robert. • p. 152-159

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De plus en plus: numbers, Binchois, and Ockeghem
Strohm, Reinhard. • p. 160-173

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An English adoption of the Burgundian chanson
Dumitrescu, Theodor G.. • p. 174-183

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Learning to compose in the 1540s: Gioseffo Zarlino's "Si bona suscepimus"
Collins Judd, Cristle. • p. 184-205

Essay   

The eloquence of silence: tacet inscriptions in the Alamire manuscripts
Blackburn, Bonnie J.. • p. 206-223
https://www.academia.edu/883487