Collection of Essays
Machaut's music: new interpretations Leach, Elizabeth Eva [Publ.]. |
In Book Series: | Studies in medieval and Renaissance music |
Descriptors: | |
Language: | English |
Permalink:
http://opac.regesta-imperii.de/id/688652
Alternative Formate:
MARC21 | BibTeX
[ |
Search for authors: Leach, Elizabeth Eva |
Content
Symmetry and Dissymmetry in the Music of the Lay de Bonne Esperance (L18/13) |
Speculum mortis: Form and Signification in Machaut's Motet He! Mors/ Fine Amour/ Quare non sum mortuus (M3) |
Observations on Machaut's Motet He! Mors, com tu es haie/ Fine Amour, qui me vint navrer/ Quare non sum mortuus (M3) |
Flos/Celsa and Machaut's Motets: Emulation - and Error? |
Texture and Counterpoint in the Four-Voice Mass Settings of Machaut and his Contemporaries |
The 'Harmony' of the Machaut Mass |
Texture and Counterpoint in the Four-Voice Mass Settings of Machaut Machaut's Mass and Sounding Number |
Singing More About Singing Less: Machaut's Pour ce que tous (B12) |
Music Writing and Poetic Voice in Machaut: Some Remarks on B12 and R14 |
A Portrayal of the Lady who Guards her Honour (B25) |
Machaut's B-flat Balade Honte, paour (B25) |
The Intabulation of De toutes flours (B31) in the Codex Faenza as Analytical Model |
Machaut's Balade Ploures dames (B32) in the Light of Real Modality |
Balades 32 and 33 and the 'res dalemangne' |
Male and Female Voice in Two Virelais of Guillaume de Machaut |
The Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut's Sans cuer, dolens (R4) |
Rose, lis Revisited |
Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut |