Collection of Essays
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Musical exchanges, 1100-1650: Iberian connections Ferreira, Manuel Pedro [Publ.]. |
| In Book Series: | Iberian Early Music Studies / 2 |
| Descriptors: |  |
| Language: | English |
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http://opac.regesta-imperii.de/id/2315626
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Content
| Emulation and Hybridisation in Iberia: A Medieval Background |
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| Center and Periphery Again: Could Spain be Considered an Independent Tradition of Liturgical Song? |
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| The Notated Exultet in Braga's Missal de Mateus: Known Tradition or New Composition? |
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| Twelfth and Thirteenth-Century Breviary Fragments in Moissac and the Rite of Braga: Some Preliminary Insights |
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| The European Affiliations of MS Porto BPM 1151 |
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| Trouvère Elements in the Cantigas de Santa Maria |
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| Urrede's Legacy and Hymns for Corpus Christi in Portuguese Sources: Aspects of Musical Transmission and Influence |
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| Himnario de la catedral de Sevilla versus Intonarium Toletanum (Alcalá de Henares, 1515) |
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| Some Identifying Features of Late-Fifteenth- and Early-Sixteenth-Century Portuguese Polyphony |
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| The Coimbra Manuscripts and the 'Spanish Court Repertory': The Motet Peccavi domine |
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| Gonçalo de Baena's Arte para tanger (Lisboa, 1540): Local and International Repertories |
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| Presencia de música y músicos portugueses en el virreinato de la Nueva España y la provincia de Guatemala, siglos XVI-XVII |
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| Collatum miseris: A Little-Known English Liturgical Office for Saint James. Politics and Plainchant in the Time of Henry II |
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| Beneventan Sources in Iberia |
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| The Arouca Polyphonic Codex |