Collection of Essays
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New Offerings, Ancient Treasures: Studies in Medieval Art for George Henderson Binski, Paul • Noel, William [Publ.]. |
| Descriptors: |  |
| Language: | English |
| Short Title: | Studies George Henderson |
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http://opac.regesta-imperii.de/id/647784
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Search for authors: Binski, Paul • Noel, William |
Content
| The library of scripture: views from Vivarium and Wearmouth-Jarrow |
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| The canon tables of the Book of Kells |
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| Some recent metalwork discoveries from the area of the Gipping Valley, and their local context |
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| The high cross and monastic strategies in eighth-century Northumbria |
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| 'This wonderful monument': the cross-slab at Nigg, Easter Ross, Scotland |
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| The pre-conquest sculptures of Glastonbury monastery |
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| Bede's bones |
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| From Bede to Rabelais - or how St Ninian got his chain |
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| 'Liber specialis et preciosus: a late twelfth-century illuminated Life of St Cuthbert' |
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| A seal bag of 1095 at Burghley House |
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| British Library, Lansdowne Ms. 383: the Shaftesbury Psalter? |
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| Worcester Cathedral chapterhouse and the harmony of the testaments |
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| The Duxford Master: a thirteenth-century painter in East Anglia |
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| One is good, two are better: the twice-appearing ass in a thirteenth-century English nativity |
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| Illuminating thought: the trivial arts in British Library, Burney Ms. 275 |
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| Parallel tracks - then and now: the Cambridge Alexander Apocalypse |
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| A model sheet of Apocalypse drawings, the fifteenth-century Netherlandish and German manuscript Apocalypses, and the early block books |
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| Altarpiece, Image and Devotion: Fourteenth-century Sculpture at Cobham, Kent |
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| The use of metals in a fourteenth-century East Anglian painters' workshop: the Thornham Parva Retable |
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| 'This picture will come out gloriously': the restoration of the portrait of Richard II |
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| Chaucer in Italy: some remarks on the 'Chaucer frontispiece' in Ms. 61, Corpus Christi College, Cambridge |
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| 'Ut poesis pictura': the transformation of the Roman landscape in Botticelli's 'Punishment of Korah' |
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| George III and the shift to gothic: an essay in nationalism |