Collection of Essays
The Cambridge history of medieval music Everist, Mark • Kelly, Thomas Forrest [Publ.]. |
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Language: | English |
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http://opac.regesta-imperii.de/id/2490169
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Content
Musical legacies from the ancient world |
Origins and transmissions of Franco-Roman chant |
Sources of Romano-Frankish liturgy and music |
Regional liturgies: Spanish, Beneventan, Gallican, Milanese |
Nova cantica |
Music and prosopography |
The silence of medieval singers |
Notation, 1 |
Tropes |
Sequence |
Music theory |
Vernacular song, 1: Lyric |
Vernacular song, 2: Romance |
Instruments and their music |
Teaching and learning music |
Music in drama |
The sources |
The revival of medieval music |
Medieval performance practice |
Issues in the modern performance of medieval music |
Institutions and foundations |
Notation, 2 |
Rhythm and meter |
Tonal organization in polyphony, 1150-1400 |
Liturgy and plainchant, 1150-1570 |
Early polyphony |
Notre Dame |
Liturgical polyphony after 1300 |
The emergence of polyphonic song |
Vernacular song, 3: Polyphony |
The thirteenth-century motet |
The fourteenth-century motet |
Latin song, 1: Songs and songbooks from the ninth to the thirteenth century |
Latin song, 2: The music and texts of the conductus |
Trecento, 1: Secular music |
Trecento, 2: Sacred music and motets in Italy and the East from 1300 until the end of the Schism |
Ars subtilior |
Citational practice in the later middle ages |
"Medieval music" or "early European music"? |