Collection of Essays
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The reception of the printed image in the fifteenth and sixteenth centuries: multiplied and modified Jurkowlaniec, Grazyna • Herman, Magdalena [Publ.]. |
| Additional Information: | https://swbplus.bsz-bw.de/cgi-bin/resultkatan.pl?item=bsz1735190365inh.h tm |
| Descriptors: | |
| Language: | English |
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Content
| People between muliplied things and modified images: introduction. |
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| Multiplicity and absence: the negative evidence of interactive prints. |
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| Playing with destiny: three late fifteenth-century uncut playing-card sheets from Florence and Urbino. |
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| Cultivating Designs: Early Ornamental Prints and Creative Reproduction |
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| Gillet and Germain Hardouyn's print-assisted paintings: prints as underdrawings in sixteenth-century French books of hours. |
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| A"passion" for prints: Netherlandish engravings in an early sixteenth-century prayer book. |
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| Eroticism under a watchful eye: censorship and alteration of woodcuts in Ovid's "Metamorphoses" between the fifteenth and the sixteenth centuries. |
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| Limitations of the reception and consumption of illustrations in "Chronica Polonorum" by Maciej of Miechów (Cracow, 1521) |
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| A foreign affair: Thomas Gemini and his booklet of moresque designs. |
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| Speaking images and speaking to the images: inscriptions in religious prints published by Antonio Lafreri. |
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| Saint George from Greater Poland: complexities of the reception of Albrecht Dürer's engraving. |
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| Changing "Fortunes": Dürer's "Nemesis" and the Beham brothers. |
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| The set of the "Four Elements" by Hendrick Goltzius and the use of engravings in the seventeenth century |
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| Prints and the beginnings of global imagery |