Publications »Baert, Barbara«
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RI opac: 198 Entries
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Ornamenta sacra: late medieval and early modern liturgical objects in a European context Dekoninck, Ralph • Claes, Marie-Christine • Baert, Barbara [Publ.]. |
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Looking Into the Rain: Magic - Moisture - Medium Baert, Barbara. |
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Interruptions and transitions: essays on the senses in medieval and early modern visual culture. Baert, Barbara. |
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In response to echo: beyond mimesis or dissolution as scopic regime (with special attention to camouflage) Baert, Barbara. |
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"Noli me tangere" in interdisciplinary perspective: textual, iconographic and contemporary interpretations Bieringer, Reimund • Baert, Barbara • Demasure, Karlijn [Publ.]. |
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Kairos or occasion as paradigm in the visual medium. "Nachleben", iconography, hermeneutics Baert, Barbara. |
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"Pneuma" and the visual medium in the Middle Ages and early modernity: essays on wind, "ruach", incarnation, odour, stains, movement, kairos, web and silence Baert, Barbara. |
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Late medieval enclosed gardens of the Low Countries: contributions to gender and artistic expression. Baert, Barbara. |
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Locus amoenus and the sleeping nymph: "ekphrasis", silence and "genius loci" Baert, Barbara. |
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Revisiting Salome's dance in medieval and early modern iconology Baert, Barbara. |
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Nymph: motif, phantom, affect ; a contribution to the study of Aby Warburg (1866 - 1929) Baert, Barbara. |
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To touch or not to touch? Interdisciplinary perspectives on the Noli me tangere Bieringer, Reimund • Demasure, Karlijn • Baert, Barbara [Publ.]. |
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Disembodied heads in medieval and early modern culture Santing, Catrien G. • Baert, Barbara • Traninger, Anita [Publ.]. |
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Kleine iconologie van het weven Baert, Barbara. |
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Caput Johannis in disco: essay on a man's head. Baert, Barbara. |
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To touch with the gaze: noli me tangere and the iconic space. Baert, Barbara. |
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New perspectives in iconology: visual studies and anthropology Baert, Barbara • Lehmann, Ann-Sophie • Van den Akkerveken, Jenke [Publ.]. |
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Kleine iconologie van de navel Baert, Barbara. |
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Onheil, pijn, bloed: voorstellingen van lijden Baert, Barbara • Verminck, M. [Publ.]. |
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Fluid flesh: the body, religion and the visual arts Baert, Barbara • Gelder, Hilde van [Publ.]. |
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Weaving, veiling, and dressing: textiles and their metaphors in the late Middle Ages Rudy, Kathryn M. • Baert, Barbara [Publ.]. |
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Het wellende water: De bron in tekst en beeld in de middeleeuwse Nederlanden en het Rijnland Baert, Barbara • Fraeters, Veerle [Ed.]. |
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A heritage of holy wood: the legend of the true cross in text and image Baert, Barbara. |
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Maria Magdalena, Zondares van de Middeleeuwen tot Vandaag. [Museum voor Schone Kunsten, Gent, 7 december 2002 - 6 april 2003] Baert, Barbara [Publ.]. |
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Een erfenis van heilig hout: de neerslag van het teruggevonden kruis in tekst en beeld tijdens de Middeleeuwen Baert, Barbara. |
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Aan de vruchten kent men de boom: de boom in tekst en beeld in de middeleeuwse Nederlanden Baert, Barbara • Fraeters, Veerle [Publ.]. |
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Crux interpretum: Luc Hoenraet et Documenta Libraria Sabbe, M. • Lamberigts, Mathijs • Gistelinck, Frans • Baert, Barbara [Publ.]. |
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Het "Boec van den Houte" Baert, Barbara. |
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Het Boec van den Houte door Johan Veldener (Culemborg, 1483): een iconografische studie van de kruislegende Baert, Barbara. |
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Notes on Galileo's moon Baert, Barbara. |
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Revisiting the Annunciation in the Quattrocento: Wind, Kalros, Snail Baert, Barbara. |
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The Incipit Miniature of the Morgan Gospel of John Baert, Barbara. https://jolcel.ugent.be/article/id/84855/ |
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Kairos and Metanoia: rethinking the right moment in early Christian art. Baert, Barbara. |
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The nymph of the grotto: silence and genius loci. Baert, Barbara. |
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The New Lamb and the Iconic Gaze Baert, Barbara. |
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Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510) Baert, Barbara. |
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"When the daughter came in and danced": revisiting Salome's dance in medieval and Early Modern iconology. Baert, Barbara. |
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The "Johannesschlüssel" as "Andachtsbild" Baert, Barbara. |
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An odour, a taste, a touch: impossible to describe: "Noli me tangere" and the senses. Baert, Barbara. |
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"Who touched me and my clothes?": the healing of the woman with the Haemorrhage in Early Medieval visual culture Baert, Barbara. |
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Wild is the wind: "Pathosformel" and the iconology of a Quintessence. Baert, Barbara. |
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Revisiting Seth in the Legend of the Wood of the Cross: Interdisciplinary Perspectives between Text and Image Baert, Barbara. |
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The Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence Baert, Barbara. |
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Growing, Making, Meaning, with Special Attention to the "Paperolles" Baert, Barbara. |
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Groeien, maken, betekenen, met speciale aandacht voor de paperollen Baert, Barbara. |
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Kairos. Nachleben, iconography, hermeneutics Baert, Barbara. |
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Vox clamantis in deserto: John's head on the silent platter. Baert, Barbara. |
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Instrumentalities and the late medieval "Enclosed gardens" of the Low Countries Baert, Barbara. |
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The Annunciation and the senses: late medieval devotion and the pictorial gaze. Baert, Barbara. |
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The Pact between Space and Gaze: The Narrative and the Iconic in Noli me tangere Baert, Barbara. |
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La Fille Dansante au prisme de l'interdisciplinarité: (avec un détour par la Capella Marciana à Venise). Baert, Barbara. |
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The Annunciation and the Senses: Ruach, Pneumat Odour Baert, Barbara. |
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Le Vent: Pathosformel et iconologie d'une quintessence Baert, Barbara. |
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Lavit et venit videns: The Healing of the Blind Man at the Pool of Siloam Baert, Barbara. |
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Cutting the throat. Obscenity and the Case of the Johannesschüssel Baert, Barbara. |
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Vox clamantis in deserto: die Johannesschüssel ; Sinne und Stille. Baert, Barbara. |
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An odour, a taste, a touch, impossible to describe: noli me tangere and the senses. Baert, Barbara. |
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"Who touched my clothes?": the healing of the woman with the Haemorrhage (Mark 5:24b-34parr) in Early Mediaeval visual culture Baert, Barbara. |
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Wind und Sublimierung in der christlichen Kunst des Mittelalters: die Verkündigung Baert, Barbara. |
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When the daughter came in and danced: revisiting Salome's dance in medieval and early modern iconology. Baert, Barbara. |
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Wind - on a pictorial quintessence. Baert, Barbara. http://www.visual-studies.com/images/no1/baert.html |
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The Johannesschüssel as Andachtsbild: the gaze, The medium and the senses. Baert, Barbara. |
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Nymphe (Wind): der Raum zwischen Motiv und Affekt in der frühen Neuzeit Baert, Barbara. |
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Introduction Santing, Catrien G. • Baert, Barbara. |
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The pact between space and gaze: the narrative and the iconic in "Noli me tangere". Baert, Barbara. |
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"Gender", visione e sensi: nuova luce sul tabernacolo del Beato Chiarito. Baert, Barbara. |
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Nourished by inwardness: the Beato Chiarito tabernacle (c. 1340). Baert, Barbara. |
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Wild is the wind: pathosfomel and iconology of a quintessence Baert, Barbara. |
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Adam, Seth and Jerusalem. The Legend of the Wood of the Cross in Medieval Literature and Iconography Baert, Barbara. |
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The Legend of the True Cross reconsidered: a discovery in the Grotto Church of Andria, Italy (fifteenth century) Baert, Barbara. |
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The Antependium of Nedstryn and the Exultation of the Cross Baert, Barbara. |
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Wind und Sublimierung in der christlichen Kunst des Mittelalters: Essay über Pathos und Affekt Baert, Barbara. |
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The gaze in the garden: Mary Magdalene in Noli me tangere. Baert, Barbara. |
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Noli me tangere: narrative and iconic space. Baert, Barbara. |
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The gaze of death. The head of Saint John the Baptist on a platter between north and south Baert, Barbara. |
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The Pact between Word and Image. Baert, Barbara. |
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The Johannesschüssel as Andachtsbild: the gaze, the medium and the senses Baert, Barbara. |
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"Do not hold on to me" or The Gaze in the Garden. Body and Embodiment in Noli me tangere. (John 20:17) Baert, Barbara. |
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A sign of health: new perspectives in iconology. Baert, Barbara. |
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"Who Touched My Clothes?" The Healing of the Woman with the Haemorrhage (Marc 5:30). Baert, Barbara. |
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The Annunciation revisited: essay on the concept of wind and the senses in late medieval and early modern visual culture Baert, Barbara. |
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The Head of Saint John the Baptist on a Platter: the Gaze of Death Baert, Barbara. |
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'Je hebt mijn hart verwond': Hooglied in beeld. Baert, Barbara. |
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Interspaces between Word, Gaze and Touch. Baert, Barbara. |
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"Chi ha toccato i miei vestiti?": la guarigione della donna con l'emorragia fra testo, immagine e tabù nella cultura visiva del primo medioevo. Baert, Barbara. |
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Wild is the wind: Pathosformel and iconology of a quintessence. Baert, Barbara. |
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Contributions to the origins of the "Noli me tangere" motif Baert, Barbara. |
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The glorified body: relics, materiality and the internalized image Baert, Barbara • De Greef, L.. |
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Noli me tangere. Narrative and Iconic Space Baert, Barbara. |
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De blik in de tuin: "Noli me tangere" en lichamelijkheid in de middeleeuwse visuele cultuur Baert, Barbara. |
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De Johannesschotel: kleine geschiedenis van het lijdende mannenhoofd Baert, Barbara. |
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Hierotopy, Jerusalem and the Legend of the Wood of the Cross Baert, Barbara. |
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De legende van het kruishout in de Nederlanden. Baert, Barbara. |
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"Je hebt mijn hart verwond": Hooglied in beeld Baert, Barbara. |
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The Gaze in the Garden: Body and Embodiment in "Noli me tangere" Baert, Barbara. |
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The gaze in the garden: body and embodiment in Noli me tangere Baert, Barbara. |
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Hierotopy, Jerusalem and the legend of the wood of the cross Baert, Barbara. |
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The healing of the blind man at Siloam, Jerusalem: a contribution to the relationship between holy places and the visual arts in the Middle Ages Baert, Barbara. |
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Dressing Baert, Barbara. |
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The twilight zone of the "Noli me tangere": contributions to the history of the motif in Western Europe (ca. 400 - ca. 1000) Baert, Barbara • Kusters, Liesbet. |
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The embroidered antependium of Wernigerode, Germany: Mary Magdalene and female spirituality in the thirteenth century Baert, Barbara. |
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Nourished byinwardness: The Beato Chiarito Tabernacle (c. 1340) Baert, Barbara. |
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Le plateau de Jean-Baptiste: l'image du médiateur et du précurseur Baert, Barbara. |
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Weaving Baert, Barbara. |
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Veiling Baert, Barbara. |
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'Noli me tangere' or the untouchable body: five exercises in the prohibition on touching. Baert, Barbara. |
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Pitcher and Comb: Verena of Zurzach and the possibilities and limitations of iconology Baert, Barbara. |
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Woord, huid, sluier: omtrent beeld en monotheïsme Baert, Barbara. |
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De aanraking met de blik: een beeldanalyse met het Noli me tangere Baert, Barbara. |
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De tranen van Maria Magdalena Baert, Barbara. |
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Wasserkrug und Kamm: Verena von Zurzach als Kasus für die Grenzen und Möglichkeiten der ikonologischen Methode Baert, Barbara. |
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The Pool of Bethsaida: The Cultural History of a Holy Place in Jerusalem Baert, Barbara. |
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De tranen van Maria Magdalena. Baert, Barbara. |
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More than an image, Agnes of Rome: virginity and visual memory Baert, Barbara. |
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Het wellende water Baert, Barbara. |
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The washing wound: late medieval ideas concerning Christ as "Fons pietatis" Baert, Barbara. |
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The Image Beyond the Water. Christ and the Samaritan woman in Sant' Angelo in Formis (1072-1087) Baert, Barbara. |
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The legend of the True Cross between North and South: suggestions and nuances for the current research. Baert, Barbara. |
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A head on a platter: the Johannesschlüssel or The image of the mediator and the precursor Baert, Barbara. |
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De haren van Maria Magdalena Baert, Barbara. |
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Schaamte en lichamelijkheid in de beeldvorming omtrent Maria Magdalena Baert, Barbara. |
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Iconogenesis or Reflections on the byzantine theory of imagery. Baert, Barbara. |
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De Piscina probatica: een bron in het middeleeuws Jeruzalem Baert, Barbara. |
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Imagining the mystery: the resurrection and the visual medium in the Middle Ages Baert, Barbara. |
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Maria Magdalena, de geschiedenis van een vrouwbeeld Baert, Barbara. |
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Idolatrie en iconografie: het enigma van het beeld Baert, Barbara. |
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Mary Magdalene, the history of a woman's image Baert, Barbara. |
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La Piscine probatique à Jérusalem: une source thérapeutique dans les textes et les images médiévaux Baert, Barbara. |
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Een huid van ivoor: het Nachleben van Pygmalion's geliefde Baert, Barbara. |
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Das Antependium von Nedstryn (Norwegen, 1310) und die Kreuzerhöhungslegende Baert, Barbara. |
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'Totten paradise soe sult ghi gaen': De verbeelding over de herkomst van het kruishout Baert, Barbara. |
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Gli affreschi della Cappella farfense a Montegiorgio (ca 1425): una leggenda della vera croce nelle Marche Baert, Barbara. |
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Inleiding - Aan de vruchten kent men de boom Baert, Barbara • Fraeters, Veerle. |
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De kruisvinding in de maaslandse emailkunst van de 12de eeuw Baert, Barbara. |
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Twilight between tradition and innovation: the iconography of the Cross-legend in the sinopie of Masolino de Panicale at Empoli Baert, Barbara. |
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The gendered visage: facets of the Vera icon. Baert, Barbara. |
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Kijken naar het ware gelaat van Christus Baert, Barbara. |
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The Retable of the Master of Tressa (Sienna, 1215). Iconography and Function Baert, Barbara. |
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New Observations on the Genesis of Girona (1050-1100). The Iconography of the Legend of the True Cross Baert, Barbara. |
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Exaltatio crucis: de Byzantijnse keizer Heraclius (610-641) en het middeleeuwse Westen Baert, Barbara. |
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Und mal yr auch eyn Gensfuss: the queen of Sheba's goose foot in medieval literature and art Baert, Barbara. |
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Exaltio Crucis. De Byzantijnse keizer Heraclius (610-641) en het middeleeuwse Westen Baert, Barbara. |
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Le sacramentaire de Gellone (750 - 790) et l'invention de la Croix: l'image entre le symbole et l'histoire Baert, Barbara. |
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L'invention de la croix dans le sacramentaire de Gellone (750-780): entre l'histoire et le symbole Baert, Barbara. |
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Eenduidig dogma, veelzijdig beeld: omtrent de mystieke wijnpers Baert, Barbara. |
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The "Allegory with a Virgin". Contributions to the solution of an iconographic enigma Baert, Barbara. |
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The figure of Seth in the vault-paintings in the parish church of Östofte: in search of the iconographical tradition Baert, Barbara. |
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Boec van den Houte, Culemborg, Johan Veldener, 1483: Brussels, Royal library Albert I, INC A 1582 Baert, Barbara. |
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Caliban as a wild-man: an iconographic approach Baert, Barbara. |
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Het literaire en iconografische beeld van Maria Magdalena Baert, Barbara. |
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De zwervende geest van Aby Warburg: notities bij een kunsthistorische nostalgie Baert, Barbara. |
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In hoc vinces: iconography of the stone cross in the parish church of Kelloe (Durham, ca 1200) Baert, Barbara. |
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Seth of de terugkeer naar het paradijs: bijdragen tot het kruishoutmotief in de Middeleeuwen Baert, Barbara. |
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