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Publications »Binski, Paul«

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RI opac: 103 Entries

1

The wall paintings of Angers Cathedral Guerry, Emily Davenport • Binski, Paul • Wrapson, Lucy. - London (2020)

2

Gothic sculpture Binski, Paul. - New Haven, Conn. [u.a.] (2019)

3

Gothic wonder. Art, artifice and the decorated style, 1290-1350 Binski, Paul. - New Haven, Conn. (2014)

4

Patrons and professionals in the Middle Ages: Proceedings of the 2010 Harlaxton Symposium Binski, Paul • New, Elizabeth A. [Publ.]. - Donington (Lincolnshire) (2012)

5

Western illuminated manuscripts: a catalogue of the collection in Cambridge University Library Binski, Paul • Zutshi, Patrick N. R. • Panayotova, Stella D.. - Cambridge [u.a.] (2011)

6

The Westminster retable: history, technique, conservation Sauerberg, Marie Louise [Ed.]. Binski, Paul • Massing, Ann [Publ.]. - Cambridge (2009)

7

The Cambridge illuminations: ten centuries of book production in the Medieval West Binski, Paul • Panayotova, Stella D. [Publ.]. - London (2005)

8

Becket's crown: Art and imagination in Gothic England ; 1170 - 1300 Binski, Paul. - New Haven, Conn. (2004)

9

New Offerings, Ancient Treasures: Studies in Medieval Art for George Henderson Binski, Paul • Noel, William [Publ.]. - Stroud (2001)

10

Medieval death. Ritual and representation Binski, Paul. - London (1996)

11

Westminster Abbey and the Plantagenets. Kingship and the representation of power, 1200-1400 Binski, Paul. - London (1995)

12

Dominican Painting in East Anglia: The Thornham Parva Retable and the musée de Cluny Frontal Norton, E. Christopher • Park, W. D. • Binski, Paul. - Woodbridge (1987)

13

Age of Chivalry. Art in Plantagenet England 1200-1400 Alexander, Jonathan James Graham • Binski, Paul [Publ.]. - London (1987)

14

Dominican Painting in East Anglia: The Thornham Parva Retable and the Musée de Cluny Frontal Norton, Christopher • Park, David • Binski, Paul. - Woodbridge (1987)

15

The Painted Chamber at Westminster Binski, Paul. - London (1986)

16

The Painted Chamber and painting at Westminster, c.1250-1350. Binski, Paul. - [University of Cambridge] (1984)

17

The Painted Chamber and its Documentation Binski, Paul. (2021) - In: Walpole Society Journal vol. 83 (2021) p. 1-68

18

The Vault of the Lady Chapel, Ely Cathedral, its Decoration and Date Binski, Paul. (2021) - In: Proceedings of the Cambridge Antiquarian Society vol. 110 (2021) p. 159-170

19

Gothic art, realism and "magniloquentia": thoughts on Erich Auerbach. Binski, Paul. (2021) - In: How do images work? Strategies of visual communication in medieval art p. 31-41

20

The Cosmati mosaics at Westminster: art, politics, and exchanges with Rome in the age of gothic. Binski, Paul. (2021 - 2022) - In: Römisches Jahrbuch der Bibliotheca Hertziana vol. 45 (2021/22) p. 7-76

21

"A Softer Glory": An Afterword on Alabaster and the New Aesthetics Binski, Paul. (2020) - In: Reassessing Alabaster Sculpture in Medieval England p. 265-287

22

Affekt in der Gotik Binski, Paul. (2020) - In: Europäische Bild- und Buchkultur im 13. Jahrhundert p. 13-32

23

Introduction Binski, Paul. (2020) - In: The Art and Science of the Church Screen in Medieval Europe. Making, Meaning, Preserving p. 1-5

24

From Salamanca to Tarragona: iberian engagement with english art and architecture 160-1360 Binski, Paul. (2020) - In: Codex aquilarensis vol. 36 (2020) p. 91-116

25

Plantagenet Tragedies to Tudor Triumphs: 1307-1534 Binski, Paul • Clark, James G.. (2019) - In: Westminster Abbey. A church in history p. 89-134

26

Aesthetic attitudes in Gothic Art: thoughts on Girona Cathedral. Binski, Paul. (2019) - In: Codex aquilarensis vol. 35 (2019) p. 179-200

27

La Chaise-Dieu and the English Connection in the Mid Fourteenth Century Binski, Paul. (2019) - In: La Chaise-Dieu. Communauté monastique et congrégation p. 181-196

28

Affect et sculpture gothique: questions de méthode. Binski, Paul. (2019) - In: Cahiers de civilisation médiévale vol. 62 (2019) p. 143-160

29

A House of Kings: 1100-1307 Binski, Paul • Clark, James G.. (2019) - In: Westminster Abbey. A church in history p. 45-88

30

The Rhetorical Occasions of Gothic Sculpture Binski, Paul. (2018) - In: Collegium medievale vol. 30 (2018) p. 7-32

31

Charisma and Material Culture Binski, Paul. (2018) - In: Faces of charisma. Image, text, object in Byzantium and the medieval West p. 128-155

32

Magnificentia in parvis. Microarchitecture et esthétique médiévale Binski, Paul. (2018) - In: Microarchitectures médiévales. L'échelle à l'épreuve de la matière p. 13-24

33

An Afterword on Jean Bony and the Decorated Style Binski, Paul. (2017) - In: Decorated revisited. English architectural style in context, 1250-1400 p. 197-207

34

Sir Oliver Ingham and the Ascetic Imagination Binski, Paul. (2017) - In: Tributes Adelaide Bennett Hagens p. 91-100

35

Introduction Binski, Paul. (2017) - In: The art and science of the church screen in Medieval Europe p. 1-6

36

La línea de la belleza en el Gótico: Motivos y estética medieval Binski, Paul. (2017) - In: Quintana vol. 16 (2017) p. 51-78

37

An early miniature copy of the choir vault of Wells Cathedral at Irnham, Lincolnshire Binski, Paul. (2016) - In: Journal of the British Archaeological Association vol. 169 (2016) p. 59-70

38

Seats, relics, and the rationale of images in Westminster Abbey: Henry III to Edward II Guerry, Emily Davenport • Binski, Paul. (2015) - In: Westminster. The art, architecture and archaeology of the Royal Abbey and Palace p. 180-204

39

Notes on artistic invention in Gothic Europe Binski, Paul. (2014) - In: Intellectual history review vol. 24 (2014) p. 287-300 https://www.tandfonline.com/doi/full/10.1080/17496977.2014.891174

40

The illumination and patronage of the Douce Apocalypse Binski, Paul. (2014) - In: The antiquaries journal vol. 94 (2014) p. 127-134

41

The 'Prentice's Bracket' at Gloucester Cathedral Binski, Paul. (2014) - In: Journal of the British Archaeological Association vol. 167 (2014) p. 123-132

42

Humfrey Lovell and the Gates of Gonville and Caius College: A Note on the Sources Binski, Paul. (2013) - In: Journal of the British Archaeological Association vol. 166 (2013) p. 179-188

43

The Heroic Age of Gothic and the Metaphors of Modernism Binski, Paul. (2013) - In: Gesta vol. 52 (2013) p. 3-20

44

Lost in translation?: the movement of things and ideas in the Gothic era. Binski, Paul. (2013) - In: Artistic translations between fourteenth and sixteenth centuries p. 9-19

45

Villard de Honnecourt and Invention Binski, Paul. (2012) - In: Nottingham medieval studies vol. 56 (2012) p. 63-79

46

Introduction: Patrons and Professionals in the Middle Ages Binski, Paul • New, Elizabeth A.. (2012) - In: Patrons and professionals in the Middle Ages p. 1-4

47

London, Paris, Assisi, Rome around 1300: questioning art hierarchies. Binski, Paul. (2012) - In: From Minor to Major. The Minor Arts in Medieval Art History p. 3-21

48

The painted chamber at Westminster, the fall of tyrants and the english literary model of governance Binski, Paul. (2011) - In: Journal of the Warburg and Courtauld Institutes vol. 74 (2011) p. 121-154

49

Art-historical refiections on the fall of the Colonna, 1297 Binski, Paul. (2011) - In: Rome across time and space p. 278-290

50

The Imagery of the High Altar Piscina of Saint-Urbain at Troyes Binski, Paul. (2011) - In: Liber Amicorum Paul Crossley 1 p. 263-273

51

Wall paintings in the chapter house Binski, Paul. (2010) - In: Westminster Abbey Chapter House. The history, art and architecture p. 184-208, 282-283

52

Angels, lost and found, in the University Library, Cambridge Binski, Paul. (2010) - In: Glosses Christopher de Hamel p. 38-44

53

'Working by words alone': the architect, scholasticism and rhetoric in thirteenth-century France Binski, Paul. (2010) - In: Rhetoric beyond words. Delight and persuasion in the arts of the Middle Ages p. 14-51

54

The Ante-Reliquary Chapel paintings in Norwich Cathedral: the Holy Blood, St Richard and All Saints. Binski, Paul. (2010) - In: Tributes Nigel Morgan p. 241-261

55

Developments in the study of medieval art since 1983 Binski, Paul. (2010) - In: Memory and commemoration in medieval England p. 309-321

56

Reflections on the "Wonderful Height and Size" of Gothic Great Churches and the Medieval Sublime Binski, Paul. (2010) - In: Magnificence and the sublime in Medieval aesthetics p. 129-156

57

An outline of scholarship on the Westminster Retable Binski, Paul. (2009) - In: The Westminster retable. History, technique, conservation p. 12-15

58

Statues, Retables, and Ciboria: The English Gothic Altarpiece in Context, Before 1350 Binski, Paul. (2009) - In: The altar and its environment 1150-1400 p. 31-46

59

The patronage and date of the legend of St Francis in the Upper Church of S. Francesco at Assisi Binski, Paul. (2009) - In: The Burlington magazine vol. 151 (2009) p. 663-665

60

Function, date, imagery, style and context of the Westminster Retable Binski, Paul. (2009) - In: The Westminster retable. History, technique, conservation p. 16-44

61

Medieval history and generic expansiveness: some thoughts from near Stratford-on-Avon Binski, Paul. (2008) - In: Essays Christopher Brooke (2008) p. 17-33

62

Matthew Paris in Norway: The Faberg of St Peter Binski, Paul • Sauerberg, Marie Louise. (2007) - In: Studies Unn Plahter p. 230-247

63

Liturgy and Local Knowledge. English Perspectives on Trondheim Cathedral Binski, Paul. (2007) - In: The medieval cathedral of Trondheim p. 21-46

64

John the Smith's grave Binski, Paul. (2006) - In: Tributes Jonathan J. G. Alexander p. 387-393

65

Salisbury Cathedral: 13th-century church triumphant Binski, Paul. (2006) - In: Spire. Annual Report of the Friends of Salisbury Cathedral vol. 76 (2006) p. 14-18

66

The faces of Christ in Matthew Paris's Chronica majora Binski, Paul. (2006) - In: Tributes James H. Marrow p. 85-92

67

History and Literature: Sacred and Secular McKitterick, Rosamond • Binski, Paul. (2005) - In: The Cambridge illuminations. Ten centuries of book production in the Medieval West p. 235-296

68

Private Devotion: Humility and Splendour Morgan, Nigel J. • Binski, Paul. (2005) - In: The Cambridge illuminations. Ten centuries of book production in the Medieval West p. 163-234

69

Introduction Binski, Paul. (2005) - In: The Cambridge illuminations. Ten centuries of book production in the Medieval West p. 9-16

70

A 'Sign of Victory': the Coronation Chair, its manufacture, setting and symbolism Binski, Paul. (2003) - In: The Stone of Destiny. Artefact and Icon p. 207-224

71

L'abbaye de Westminster, les Bénédictins et Rome: un épisode homérique de l'histoire de l'art gothique. Binski, Paul. (2003) - In: Le monde des cathédrales. Cycle de conférences p. 83-116

72

The Painted Nave Ceiling at Peterborough Abbey Binski, Paul. (2003) - In: Essays Pamela Tudor-Craig p. 41-62

73

The Crucifixion and the Censorship of Art around 1300 Binski, Paul. (2003) - In: The Medieval World p. 342-360

74

The Cosmati and "romanitas" in England: an overview Binski, Paul. (2002) - In: Westminster Abbey. The Cosmati pavements p. 116-134

75

How Northern was the Northern Master at Assisi? Binski, Paul. (2002) - In: Proceedings of the British Academy vol. 117 (2002) p. 73-138

76

Le Retable de Westminster et l'art français à la fin du XIIIe siècle Binski, Paul. (2001) - In: 1300. L'art au temps de Philippe le Bel p. 231-238

77

Court patronage and international Gothic Binski, Paul. (2000) - In: The new Cambridge medieval history 6 p. 222-233

78

A note on the Hutton Conyers charter and related Fenland manuscript illumination Binski, Paul. (2000) - In: The antiquaries journal vol. 80 (2000) p. 296-302

79

Hierarchies and order in English royal images of power Binski, Paul. (1999) - In: Orders and Hierarchies in Late Medieval and Renaissance Europe p. 74-93, 182-184, 199

80

The English parish church and its art in the later Middle Ages: a review of the problem Binski, Paul. (1999) - In: Studies in iconography vol. 20 (1999) p. 1-25

81

Art and architecture Binski, Paul. (1999) - In: The new Cambridge medieval history 5 p. 84-104

82

Imagining death: three recent books on death in/and the Middle Ages Binski, Paul • Camille, Michael • Harrison, Ann Tukey. (1998) - In: Studies in iconography vol. 19 (1998) p. 211-222

83

The Angel Choir at Lincoln and the poetics of the Gothic smile Binski, Paul. (1997) - In: Art history vol. 20 (1997) p. 350-374

84

The "Liber Regalis": its date and European context Binski, Paul. (1997) - In: The regal image of Richard II and the Wilton Diptych p. 232-246

85

An Analysis of the Length of Plates used for English Monumental Brasses Binski, Paul. (1997 - 2002) - In: Transactions of the Monumental Brass Society vol. 16 (1997/2002) p. 229-238

86

A survey of English thirteenth-century figurative painting on panel Binski, Paul. (1997) - In: Das Aschaffenburger Tafelbild p. 324-334

87

The English decorated style: problems and possibilities Binski, Paul. (1995) - In: Bilan et perspectives des études médiévales en Europe p. 313-328

88

The thirteenth-century English altarpiece Binski, Paul. (1995) - In: Norwegian medieval altar frontals and related material p. 47-57

89

The technique of the Westminster retable: a preliminary report with an analysis of the glass components Binski, Paul. (1995) - In: Norwegian medieval altar frontals and related material p. 58-71

90

The technique of the Westminster retable: a preliminary report with an analysis of the glass components Binski, Paul • Freestone, Ian C.. (1995) - In: Acta ad archaeologiam et artium historiam pertinentia vol. 11 (1995) p. 59-71

91

The thirteenth century English altarpiece Binski, Paul. (1995) - In: Acta ad archaeologiam et artium historiam pertinentia vol. 11 (1995) p. 47-57

92

Two ceiling fragments from the Painted Chamber at Westminster Palace Liversidge, Michael • Binski, Paul. (1995) - In: The Burlington magazine vol. 137 (1995) p. 491-501

93

The murals in the nave of St Albans Abbey Binski, Paul. (1992) - In: Essays Christopher Brooke (1992) p. 249-278

94

Abbot Berkyng's tapestries and Matthew Paris's Life of St Edward the Confessor. Binski, Paul. (1991) - In: Archaeologia or miscellaneous tracts relating to antiquity vol. 109 (1991) p. 85-100

95

Reflections on "La estoire de Seint Aedward le rei": hagiography and kingship in thirteenth-century England Binski, Paul. (1990) - In: Journal of Medieval History vol. 16 (1990) p. 333-350, 387

96

The Cosmati at Westminster and the English court style. Binski, Paul. (1990) - In: The Art bulletin vol. 72 (1990) p. 6-34

97

The earliest photographs of the Westminster Retable Binski, Paul. (1988) - In: The Burlington magazine vol. 130 (1988) p. 128-132

98

Monumental brasses Binski, Paul. (1987) - In: Age of Chivalry. Art in Plantagenet England 1200-1400 p. 171-173

99

What was the Westminster Retable? Binski, Paul. (1987) - In: Journal of the British Archaeological Association vol. 140 (1987) p. 152-174

100

The Early Portrait: Verbal or Pictorial? Binski, Paul. (1986) - In: Akten des XXV. Internationalen Kongresses für Kunstgeschichte Pt. 6 p. 211-215

101

A Ducciesque episode at Ely: the mural decorations of Prior Crauden's Chapel Binski, Paul • Park, David. (1986) - In: England in the Fourteenth Century (1986) p. 28-41

102

The Coronation of the Virgin on the Hastings brass at Elsing, Norfolk Binski, Paul. (1985) - In: Church monuments vol. 1 (1985) p. 1-9

103

The Westminster Retable Reconsidered Binski, Paul. (1979) - In: Bulletin. International Society for the Study of Church Monuments vol. 1 (1979) p. 12-18

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