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Publications »Kirkman, Andrew«

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RI opac: 24 Entries

1

Music and musicians at the collegiate church of St-Omer: crucible of song, 1350-1550 Kirkman, Andrew. - New York (2020)

2

Sacred and liturgical Renaissance music Kirkman, Andrew [Publ.]. - Farnham [u.a.] (2012)

3

The cultural life of the early polyphonic Mass: medieval context to modern revival Kirkman, Andrew. - Cambridge (2010)

4

Binchois Studies Kirkman, Andrew • Slavin, Dennis [Publ.]. - Oxford [u.a.] (2000)

5

Hearing Historic Scotland: Reflections on Recording in Virtually Reconstructed Acoustics Cook, James • Kirkman, Andrew • McAlpine, Kenneth B. • Selfridge, Rod. (2023) - In: Journal of the Alamire Foundation vol. 15 (2023) p. 109-126

6

From Page to Sound: Performing the Masses of Walter Frye Kirkman, Andrew. (2020) - In: Essays Christopher Page p. 405-434

7

Image, Music and the Lived Reality in Fifteenth-Century Midlands Alabaster Kirkman, Andrew. (2020) - In: Performance, ceremony and display in late medieval England p. 255-272

8

Structure and Meaning in the Mass: The 'Ordinarium Missae' and Beyond Kirkman, Andrew. (2019) - In: Motet cycles between devotion and liturgy p. 19-36

9

Music and image/image and music: the creation and meaning of visual-aural force fields in the later Middle Ages Kirkman, Andrew • Weller, Philip. (2017) - In: Early music vol. 45 (2017) p. 55-75

10

The nineteenth-century reception of fifteenth-century sacred music Kirkman, Andrew. (2015) - In: The Cambridge History of Fifteenth Century Music p. 802-810

11

The polyphonic mass in the fifteenth century Kirkman, Andrew. (2015) - In: The Cambridge History of Fifteenth Century Music p. 665-700

12

Organs and Instrumental Performance at the Collegiate Church of Saint-Omer, Northern France, in the Later Middle Ages Kirkman, Andrew. (2013) - In: Essays Keith Polk p. 101-109

13

The Invention of the Cyclic Mass Kirkman, Andrew. (2012) - In: Sacred and liturgical Renaissance music p. 183-232

14

Johannes Sohier dit Fede and St Omen A Story of Pragmatic Sanctions Kirkman, Andrew. (2011) - In: Essays David Fallows p. 68-80

15

The Seeds of Medieval Music: Choirboys and Musical Training in a Late-Medieval Maitrise Kirkman, Andrew. (2008) - In: Young choristers, 650 - 1700 p. 104-122

16

The invention of the cyclic Mass Kirkman, Andrew. (2001) - In: Journal of the American Musicological Society vol. 54 (2001) p. 1-47

17

Introduction Kirkman, Andrew • Slavin, Dennis. (2000) - In: Binchois Studies p. 1-8

18

La musique à la collégiale à la fin du Moyen Age d'après les comptes de fabrique et les délibérations capitulaires Kirkman, Andrew. (2000) - In: La cathédrale de Saint-Omer. 800 ans de mémoire vive p. 133-138

19

Binchois the Borrower Kirkman, Andrew. (2000) - In: Binchois Studies p. 119-135

20

Musical Life at the Collegiate Church of Saint-Omer, Northern France, c. 1460-1504 Kirkman, Andrew. (2000) - In: Musicology and sister disciplines. Past, present, future p. 602

21

Musical Life at the Collegiate Church os Saint-Omer, Northern France, in the Fifteenth Kirkman, Andrew. (1998) - In: Atas do II Encontro Internacional de Estudos Medievais p. 315-332

22

"Quinti toni" in context: currents in three-voice mass writing in the later fifteenth century Kirkman, Andrew. (1998) - In: Johannes Ockeghem. Actes du XLe colloque p. 481-498

23

The transmission of English mass cycles in the mid to late fifteenth century: a case study in context Kirkman, Andrew. (1994) - In: Music and letters vol. 75 (1994) p. 180-199

24

The style of Walter Frye and an anonymous mass in Brussels, Koninklijke Bibliotheek, Ms. 5557 Kirkman, Andrew. (1992) - In: Early music history vol. 11 (1992) p. 191-221

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