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Publications »Parshall, Peter W.«

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RI opac: 23 Entries

1

The woodcut in fifteenth-century Europe Parshall, Peter W. [Publ.]. - New Haven, Conn. [u.a.] (2009)

2

Die Anfänge der europäischen Druckgraphik: Holzschnitte des 15. Jahrhunderts und ihr Gebrauch ; National Gallery of Art, Washington, 4. September - 27. November 2005; Germanisches Nationalmuseum, Nürnberg, 15. Dezember 2005 bis 19. März 2006 ; Katalog Parshall, Peter W. • Schoch, Rainer [Publ.]. - Nürnberg (2005)

3

Origins of European printmaking: fifteenth-century woodcuts and their public; [National Gallery of Art, Washington, September 4 - November 27, 2005; Germanisches Nationalmuseum, Nuremberg, December 14, 2005 - March 19, 2006] Parshall, Peter W. • Schoch, Rainer • Schmidt, Peter (Kunsthistoriker) [Publ.]. - New Haven, Conn. [u.a.] (2005)

4

Die Anfänge der europäischen Druckgraphik. Holzschnitte des 15. Jahrhunderts und ihr Gebrauch ; [National Gallery of Art, Washington, 4. September - 27. November 2005, Germanisches Nationalmuseum, Nürnberg, 15. Dezember 2005 - 19. März 2006] Parshall, Peter W. • Schoch, Rainer. - Nürnberg (2005)

5

The Renaissance print, 1470-1550 Landau, David • Parshall, Peter W.. - New Haven, Conn. (1994)

6

Art and the Reformation: an annot. bibliography Parshall, Linda B. • Parshall, Peter W.. - Boston, Mass. (1986)

7

Ugo da Carpi, Raphael and his mistress and The Odyssey: a reinterpretation. Parshall, Peter W.. (2019) - In: Print quarterly vol. 36 (2019) p. 160-162

8

Pieter Bruegel the Elder's Tower of Babel-. An aesthetics of displacement Parshall, Peter W.. (2014) - In: FS Wolfgang Will p. 71-80

9

Graphic knowledge: Albrecht Dürer and the imagination Parshall, Peter W.. (2013) - In: The Art bulletin vol. 95 (2013) p. 393-410

10

Introduction: The Modern Historiography of Early Printmaking Parshall, Peter W.. (2009) - In: The woodcut in fifteenth-century Europe p. 9-16

11

Fra Filippo Lippi and the image of St Luke Parshall, Peter W.. (2007) - In: Simiolus vol. 33 (2007) p. 14-21

12

Albrecht Dürer's 'Gedenckbuch' and the rain of crosses Parshall, Peter W.. (2006) - In: Word and image vol. 22 (2006) p. 202-210

13

Early Woodcuts and the Reception of the Primitive Parshall, Peter W. • Schoch, Rainer. (2005) - In: Origins of European printmaking. Fifteenth-century woodcuts and their public p. 1-18

14

Conformity or contrast Parshall, Peter W.. (2001) - In: Early Netherlandish painting at the crossroads p. 18-25

15

Hans Holbein's Pictures of Death Parshall, Peter W.. (2001) - In: Hans Holbein. Paintings, prints, and reception p. 83-95

16

The art of memory and the Passion Parshall, Peter W.. (1999) - In: The Art bulletin vol. 81, 3 (1999) p. 458-472

17

Printmaking in Antwerp Parshall, Peter W.. (1999) - In: Print quarterly vol. 16 (1999) p. 395-396

18

Albrecht Dürer and the Axis of Meaning Parshall, Peter W.. (1997) - In: Allen Memorial Art Museum. Oberlin College Bulletin vol. 50, 2 (1997) p. 5-31

19

Book of the year: "The Renaissance print: 1470-1550" Landau, David • Parshall, Peter W.. (1994) - In: Apollo Ser. NS, vol. 140, 383 (1994) p. 11-13

20

Imago contrafacta: Images and facts in the northern renaissance Parshall, Peter W.. (1993) - In: Art history vol. 16 (1993) p. 554-579

21

Print production in early modern Europe, 1480 - 1550 Parshall, Peter W.. (1986 - 1987) - In: Center vol. 7 (1986/87) p. 81-82

22

Lucas van Leyden's narrative style Parshall, Peter W.. (1978) - In: Nederlands kunsthistorisch jaarboek vol. 29 (1978) p. 185-238

23

A Dutch manuscript of ca. 1480 from an atelier in Bruges Parshall, Peter W.. (1969) - In: Scriptorium vol. 23 (1969) p. 333-337

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