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Descriptors: Ackerman, James S. (1919-2016)


1Articles  Palladio, Michelangelo and publica magnificentia
Ackerman, James S.. (2010) - In: Annali di architettura vol. 22 (2010) p. 63-78

2Articles  Remembering Arnaldo
Ackerman, James S.. (2009) - In: Annali di architettura vol. 21 (2009) p. 9-10

3Essay  Premessa: ville italiane del Rinascimento
Ackerman, James S.. (2009) - In: Delizie estensi. Architetture di villa nel Rinascimento italiano ed europeo p. 3-16

4Essay  Antichi e moderni: l'invenzione della tradizione
Ackerman, James S.. (2006) - In: Villa. Siti e contesti p. 3-14

5Articles  On Scolari's Disegno obliquo
Ackerman, James S.. (2006) - In: Albertiana vol. 9 (2006) p. 225-231

6Essay  La villa: forma e ideologia
Ackerman, James S.. (2005) - In: Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa p. 3-12

7Essay  Vincenzo Scamozzi and Renaissance attitudes toward medieval architecture
Ackerman, James S.. (2004) - In: Per Franco Barbieri p. 35-45

8Essay  The aesthetics of architecture in the Renaissance
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 176-184

9Essay  The influence of antiquity on Italian Renaissance villas
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 186-215

10Essay  Palladio: Classical in what sense?
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 236-262

11Essay  The conventions and rhetoric of architectural drawing
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 294-317

12Essay  On the origins of art history and criticism
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 2-25

13Essay  The origins of architectural drawing in the Middle Ages and Renaissance
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 28-65

14Collection of Essays  Origins, imitation, conventions: representation in the visual arts
Ackerman, James S.. - Cambridge [u.a.] (2002)

15Essay  Preface
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. viii-xi

16Essay  Leonardo da Vinci's church designs
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 68-93

17Essay  On the origins of art history and criticism
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 2-25

18Essay  Daniele Barbaro and Vitruvius
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 218-234

19Essay  Leonardo da Vinci's church designs
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 68-93

20Essay  Art and science in the drawings of Leonardo da Vinci
Ackerman, James S.. (2002) - In: Origins, imitation, conventions. Representation in the visual arts p. 144-173

RI-Opac SearchMatches: 78