RI-Opac Search | Matches: 116 |
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Descriptors: Barolsky, Paul (1941-)
1 | A brief journey through the green world of Renaissance Italy: Afterword. Barolsky, Paul. |
2 | Smiles of delight and pleasures of play in italian Renaissance art Barolsky, Paul. |
3 | The lambs of San Lorenzo Barolsky, Paul. |
4 | Further reflections on the reading of Vasari Barolsky, Paul. |
5 | Winckelmann, Ovid, and the transformation of the Apollo Belvedere Barolsky, Paul. |
6 | Ovid's Metamorphoses and the History of Baroque Art Barolsky, Paul. |
7 | The ambiguity of Caravaggio's Medusa Barolsky, Paul. |
8 | Botticelli's golden goddess Barolsky, Paul. |
9 | The genius of Michelangelo's Creation of Adam and the blindness of art history Barolsky, Paul. |
10 | Ut pictura poesis et ut pictura non poesis Barolsky, Paul. |
11 | Michelangelo, Ghirlandaio, and the artifice of biography Barolsky, Paul. |
12 | Ambiguity in Rembrandt's Boston Artist in His Studio Barolsky, Paul. |
13 | The ultimate paradox of Vasari's Lives Barolsky, Paul. |
14 | A brief history of the artist from God to Picasso Barolsky, Paul. |
15 | Michelangelo's Dovizia Barolsky, Paul. |
16 | Leonardo's gentle breeze Barolsky, Paul. |
17 | Brunelleschi and the ambiguities of perspective Barolsky, Paul. |
18 | Michelangelo's dental work Barolsky, Paul. |
19 | Vasari and the origins of Mona Lisa's mystery Barolsky, Paul. |
20 | Concord and Discord in Leonardo's Adoration of the Magi Barolsky, Paul. |
RI-Opac Search | Matches: 116 |