RI-Opac Search | Matches: 58 |
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Descriptors: Bent, Margaret (1940-)
1 | Francesco Malipiero, Antonio da Roma: Another musical connection? Bent, Margaret. |
2 | Some singers of polyphony in Padua and Vicenza around Pietro Emiliani and Francesco Malipiero Bent, Margaret. |
3 | "Libri de cantu" in the Early Fifteenth-Century Veneto: Contents, Use and Ownership Bent, Margaret. |
4 | Jacobus de Ispania? - Ein Zwischenbericht Bent, Margaret. |
5 | Performative Rhetoric and Rhetoric as Validation Bent, Margaret. |
7 | Musica Recta and Musica Ficta Bent, Margaret. |
8 | Grammar and rhetoric in late medieval polyphony: modern metaphor or old simile? Bent, Margaret. |
9 | The Earliest Fifteenth-Century Transmission of English Music to the Continent Bent, Margaret. |
10 | Indexes in late medieval polyphonic music manuscripts: a brief tour Bent, Margaret. |
11 | Naming of Parts: Notes on the Contratenor, c.1350-1450 Bent, Margaret. |
12 | The Myth of tempus perfectum diminutum in the Chantilly Manuscript Bent, Margaret. |
13 | Deception, Exegesis and Sounding Number in Machaut's Motet 15 Bent, Margaret. |
15 | "Divisi" and "a versi" in early fifteenth-century mass movements Bent, Margaret. |
16 | Ciconia's dedicatee, Bologna Q 15, Brassart, and the Council of Basel Bent, Margaret. |
17 | The Musical Stanzas in Martin Le Francs Le Champion des Dames Bent, Margaret. |
18 | The 'Harmony' of the Machaut Mass Bent, Margaret. |
19 | Words and music in Machaut's motet 9 Bent, Margaret. |
20 | "Sounds perish": in what sense does Renaissance music survive? Bent, Margaret. |
RI-Opac Search | Matches: 58 |