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Descriptors: Dufay, Guillaume (1400-1474)


1Articles  Revisiting Dufay's Saint Anthony Mass and its connection to Donatello's altar of Saint Anthony in Padua
Beck, Eleonora M.. (2001) - In: Music in art vol. 26 (2001) p. 5-19

2Articles  Du Fay and Josquin at the Collegiate Church of St. Guilda
Haggh, Barbara H.. (2001) - In: Revue belge de musicologie vol. 55 (2001) p. 41-52

3Essay  Nonconformity in the Use of Cambrai Cathedral: Guillaume Du Fay's foundations
Haggh, Barbara H.. (2000) - In: Studies Ruth Steiner p. 372-397

4Articles  Concerning Dufay's birthplace
Planchart, Alejandro Enrique. (2000) - In: Revue belge de musicologie vol. 54 (2000) p. 225-230

5Articles  Guillaume Du Fay's birthplace: some notes on a hypothesis
Haggh, Barbara H.. (1997) - In: Revue belge de musicologie vol. 51 (1997) p. 17-21

6Articles  Notes on Guillaume Du Fay's last works
Planchart, Alejandro Enrique. (1995) - In: The Journal of musicology vol. 13 (1995) p. 55-72

7Articles  "Miserere supplicanti Dufay": the creation and transmission of Guillaume Dufay's Missa Ave regina celorum
Wegman, Rob C.. (1995) - In: The Journal of musicology vol. 13 (1995) p. 18-54

8Articles  Dufay's "Nuper rosarum flores", King Solomon's Temple, and the veneration of the Virgin
Wright, Craig. (1994) - In: Journal of the American Musicological Society vol. 47 (1994) p. 395-441

9Articles  The early career of Guillaume du Fay
Planchart, Alejandro Enrique. (1993) - In: Journal of the American Musicological Society vol. 46 (1993) p. 341-368

10Articles  Textkonstruktionen in den isorhythmischen Motetten Guillaume Dufays
Lütteken, Laurenz. (1993) - In: Revista de musicología vol. 16 (1993) p. 1559-1564

11Essay  Guillaume du Fay and the evolution of the liturgy at Cambrai cathedral in the fifteenth century
Haggh, Barbara H.. (1992) - In: Cantus Planus. International Musicological Society Study Group p. 549-569

12Articles  Guillaume Dufay's concept of faux-bourdon.
Elders, Willem. (1989) - In: Revue belge de musicologie vol. 43 (1989) p. 173-195

13Articles  Guillaume Dufay's motet in honor of St. Nicholas: the Bologna connection
Turrentine, Herbert C.. (1989) - In: Explorations in Renaissance culture vol. 15 (1989) p. 1-23

14Articles  Dissonance placement and stylistic change in the fifteenth century: Tinctoris's rules and Dufay's practice
Schroeder, Eunice. (1989) - In: The Journal of musicology vol. 7 (1989) p. 366-389

15Articles  The martyrdom of St. Sebastian: the function of accidental inflections in Dufay's O beate Sebastiane
Berger, Karol. (1989) - In: Early music vol. 17 (1989) p. 342-357

16Articles  Guillaume DuFay's benefices and his relationship to the court of Burgundy
Planchart, Alejandro Enrique. (1988) - In: Early music history vol. 8 (1988) p. 119-171

17Articles  Autobiographical implications in Dufay's song-motet "Juvenis ui puellam"
Trumble, Ernest. (1988) - In: Revue belge de musicologie vol. 42 (1988) p. 31-82

18Articles  Gematria marriage numbers and golden sections in Dufay's "Resveillés vous"
Atlas, Allan W.. (1987) - In: Acta musicologica vol. 59 (1987) p. 111-126

19Essay  Politische Lyrik im Kontext ihrer Aufführungsumstände, oder: Beobachtungen zu Dufays Klage-Motetus über den Fall von Konstantinopel und das Fasanenbankett von Lille (1454)
Müller, Ulrich (Germanist). (1984) - In: Lyrik des ausgehenden 14. und des 15. Jahrhunderts p. 149-160

20Articles  Zwei weitere Blätter zum Fragment Mus. ms. 3224 in der Bayerischen Staatsbibliothek aus der Dufay-Zeit
Hell, Helmut. (1983) - In: Musik in Bayern vol. 27 (1983) p. 43-49

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